| Record ID | harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:319253539:1835 |
| Source | harvard_bibliographic_metadata |
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LEADER: 01835cam a2200421 i 4500
001 014241091-8
005 20150103224738.0
008 140210s2014 caua b 001 0deng
010 $a 2014005375
015 $aGBB4B7398$2bnb
016 7 $a016899189$2Uk
020 $a9780895511539 (cloth : alk. paper)
020 $a0895511533 (cloth : alk. paper)
020 $a9780895511522 (pbk. : alk. paper)
020 $a0895511525 (pbk. : alk. paper)
035 $a(PromptCat)99960824147
035 0 $aocn872561806
040 $aDLC$erda$beng$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dOCLCF$dOCLCO$dUKMGB$dZCU
042 $apcc
050 00 $aN6537.A98$bA86 2014
082 00 $a759.13$223
100 1 $aAnreus, Alejandro,$eauthor.
245 10 $aLuis Cruz Azaceta /$cAlejandro Anreus ; foreword by Chon A. Noriega.
264 1 $aLos Angeles, California :$bUCLA Chicano Studies Research Center Press,$c2014.
300 $axiii, 146 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aA ver : revisioning art history ;$vVolume 10
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: The Painter in the Bunker -- Exile and Its Context -- From Childhood to Exile: Becoming a Painter -- The 1980s: The City Painter of Hearts and the Balsero -- The 1990s: Broken Realities -- The 2000s: Are We Waiting for the End of the World? -- An Artist for Our Time.
600 10 $aAzaceta, Luis Cruz,$d1942-$xCriticism and interpretation.
600 17 $aAzaceta, Luis Cruz,$d1942-$2fast$0(OCoLC)fst00298028
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aNoriega, Chon A.,$d1961-$eauthor of foreword.
830 0 $aA ver--revisioning art history ;$v10.
988 $a20141202
906 $0DLC