Record ID | harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:350669777:1514 |
Source | harvard_bibliographic_metadata |
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LEADER: 01514cam a2200385Ii 4500
001 014268572-0
005 20141224225339.0
008 130927s2014 enk b 001 0deng d
015 $aGBB3A2216$2bnb
016 7 $a016537907$2Uk
020 $a9781903900123$q(pbk.)
020 $a1903900123$q(pbk.)
035 0 $aocn862761449
035 $a(PromptCat)40023911298
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dBDX$dOCLCA$dYDXCP$dOCLCF$dOCLCO$dCDX$dZCU$dDGU$dLTSCA$dOCLCQ
050 4 $aML410.M9$bF78 2014
082 04 $a780.92$223
100 1 $aFredman, Myer,$eauthor.
245 10 $aFrom Idomeneo to Die Zauberflöte :$ba conductor's commentary on the operas of Wolfgang Amadeus Mozart /$cMyer Fredman ; with a foreword by Sir Charles Mackerras.
264 1 $aBrighton :$bSussex Academic Press,$c2014.
300 $aix, 205 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aOriginally published in hardcover in 2002.
504 $aIncludes bibliographical references (page 189) and index.
600 10 $aMozart, Wolfgang Amadeus,$d1756-1791.$tOperas.
650 0 $aOperas$xAnalysis, appreciation.
600 17 $aMozart, Wolfgang Amadeus,$d1756-1791$2fast$0(OCoLC)fst00050702
650 7 $aOpera.$2fast$0(OCoLC)fst01046145
651 7 $aAustria.$2fast$0(OCoLC)fst01204901
648 7 $a1700 - 1799$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
988 $a20141224
906 $0OCLC