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MARC Record from harvard_bibliographic_metadata

Record ID harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:357787501:4508
Source harvard_bibliographic_metadata
Download Link /show-records/harvard_bibliographic_metadata/ab.bib.14.20150123.full.mrc:357787501:4508?format=raw

LEADER: 04508cam a2200625 i 4500
001 014273880-8
005 20150107224547.0
008 140604s2014 ohu b 001 0 eng
010 $a 2014008291
020 $a9780814212691$qhardback
020 $a0814212697$qhardback
020 $z9780814293737$qcd
035 0 $aocn881146241
035 $a(PromptCat)40024405784
040 $aDLC$erda$beng$cDLC$dYDX$dOCLCF$dYDXCP$dOCLCO
042 $apcc
043 $ae-fr---
050 00 $aPQ193$b.E83 2014
082 00 $a841/.109$223
084 $aLIT011000$aLIT004150$2bisacsh
100 1 $aMoreau, J. M.$q(John M.),$d1983-$eauthor.
245 10 $aEschatological subjects :$bdivine and literary judgment in fourteenth-century French poetry /$cJ.M. Moreau.
246 30 $aDivine and literary judgment in fourteenth-century French poetry
264 1 $aColumbus :$bThe Ohio State University Press,$c[2014]
300 $avii, 238 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aInterventions : new studies in medieval culture
520 $a"Eschatological Subjects: Divine and Literary Judgment in Fourteenth-Century French Poetry takes an innovative approach to medieval eschatology by examining how poets cast themselves in the scene of judgment as defendants summoned to answer to the Almighty for the sins of their writing. Since medieval Europeans lived in perpetual anxiety of divine judgment, constantly surrounded by reminders in art and literature, author J.M. Moreau shows that this is a natural extension of medieval life. But Eschatological Subjects goes even further to demonstrate the largely unrecognized duality of this judge figure: not just God, the judge is also the imperious and imperfect human reader. The simultaneous divine and human judgments in (and of) French poetry reveal much about the ethical stakes of writing vernacular poetry in the later Middle Ages and, most importantly, about the relationships between authors and audiences. Focusing on Guillaume de Deguileville, Guillaume de Machaut, and Jean Froissart (each of whom composed scenes in which they appear on trial before God), Moreau contributes important new insights on the complex "trial process" of later medieval literature, in which poetic authority and fame depended on the poet's ability to defend himself before a fearful court of reader opinion."--$cProvided by publisher.
520 $a"John Moreau explores how late medieval French poets used the idea of the last judgment to frame their own literary production and its reception among readers. Focusing on works by Deguileville, Machaut, and Froissart, Moreau argues that their use of the divine judgment theme to discuss authorial concerns betrays their anxiety about both their responsibility for what they write and for how their work will be received and consequently judged. The result of this study is a much more dynamic view of the medieval conception of the author role"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
650 0 $aFrench poetry$yTo 1500$xHistory and criticism.
650 0 $aEschatology in literature.
650 0 $aJudgment Day in literature.
650 0 $aFrench poetry$xAppreciation$xHistory$y14th century.
600 00 $aGuillaume,$cde Deguileville,$dactive 14th century$xCriticism and interpretation.
600 00 $aGuillaume,$cde Machaut,$dapproximately 1300-1377$xCriticism and interpretation.
600 10 $aFroissart, Jean,$d1338?-1410?$xCriticism and interpretation.
650 7 $aLITERARY CRITICISM$xMedieval.$2bisacsh
650 7 $aLITERARY CRITICISM$xEuropean$xFrench.$2bisacsh
600 17 $aFroissart, Jean,$d1338?-1410?$2fast$0(OCoLC)fst00007683
600 07 $aGuillaume,$cde Deguileville,$dactive 14th century$2fast$0(OCoLC)fst01822060
600 07 $aGuillaume,$cde Machaut,$dapproximately 1300-1377$2fast$0(OCoLC)fst01822062
650 7 $aEschatology in literature.$2fast$0(OCoLC)fst00915138
650 7 $aFrench poetry.$2fast$0(OCoLC)fst00934799
650 7 $aFrench poetry$xAppreciation.$2fast$0(OCoLC)fst00934802
650 7 $aJudgment Day in literature.$2fast$0(OCoLC)fst00984600
648 7 $aTo 1500$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
830 0 $aInterventions (Columbus, Ohio)
899 $a415_565471
988 $a20150107
906 $0DLC