MARC Record from harvard_bibliographic_metadata

LEADER: 03362cam a2200541 i 4500
001 014052033-3
005 20140711153311.0
008 131030s2014 ctua b 001 0 eng
010 $a 2013042758
016 7 $a016596187$2Uk
020 $a9780300197891 (hardback)
020 $a0300197896 (hardback)
035 0 $aocn862098487
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dOCLCO$dBDX$dUKMGB$dERASA$dYDXCP$dOCLCO$dDEBBG$dOCLCQ$dCOO$dYBM
042 $apcc
043 $ae------
050 00 $aNB623.C2$bB56 2014
082 00 $a730.92/2$223
084 $aART015090$aART026000$aART015030$2bisacsh
100 1 $aBindman, David,$d1940-$eauthor.
245 10 $aWarm flesh, cold marble :$bCanova, Thorvaldsen and their critics /$cDavid Bindman.
264 1 $aNew Haven :$bYale University Press,$c[2014]
300 $aviii, 219 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"This brilliant book focuses on the aesthetic concerns of the two most important sculptors of the early 19th century, the great Italian sculptor Antonio Canova (1757-1822) and his illustrious Danish rival Bertel Thorvaldsen (1770-1844). Rather than comparing their artistic output, the distinguished art historian David Bindman addresses the possible impact of Kantian aesthetics on their work. Both artists had elevated reputations, and their sculptures attracted interest from philosophically minded critics. Despite the sculptors' own apparent disdain for theory, Bindman argues that they were in dialogue with and greatly influenced by philosophical and critical debates, and made many decisions in creating their sculptures specifically in response to those debates. Warm Flesh, Cold Marble considers such intriguing topics as the aesthetic autonomy of works of art, the gender of the subject, the efficacy of marble as an imitative medium, the question of color and texture in relation to ideas and practices of antiquity, and the relationship between the whiteness of marble and ideas of race. "--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: A debate in marble -- I. Sculpture in practice: Gods and heroes, men and women -- Competing Masculinities -- Male and Female Together -- The Female Figure: Sensuality, Procreation and the Life Force -- II. Sculpture in theory: the 'philosophic' critics -- The Colour of Sculpture: Ancient and Modern -- Back to Kant.
600 10 $aCanova, Antonio,$d1757-1822$xAesthetics.
600 10 $aThorvaldsen, Bertel,$d1770-1844$xAesthetics.
600 10 $aKant, Immanuel,$d1724-1804$xAesthetics.
650 0 $aArt criticism$zEurope$xHistory.
650 7 $aART / History / Baroque & Rococo.$2bisacsh
650 7 $aART / Sculpture & Installation.$2bisacsh
650 7 $aART / European.$2bisacsh
650 4 $aART / European / bisacsh.
650 4 $aART / History / Baroque et Rococo / bisacsh.
650 4 $aART / Sculpture et Installation / bisacsh.
600 17 $aCanova, Antonio,$d1757-1822.$2gnd
600 17 $aKant, Immanuel,$d1724-1804.$2gnd
600 17 $aThorvaldsen, Bertel,$d1770-1844.$2gnd
650 07 $aÄsthetik.$2gnd
655 7 $aHistory.$2fast
899 $a415_565066
988 $a20140514
049 $aHLSS
906 $0DLC