| Record ID | ia:104070constraint0000romb |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/104070constraint0000romb/104070constraint0000romb_marc.xml |
| Download MARC binary | https://www.archive.org/download/104070constraint0000romb/104070constraint0000romb_meta.mrc |
LEADER: 01906cam 2200481Ii 4500
001 ocn866617210
003 OCoLC
005 20211205190349.0
008 131220s2014 enka b 000 0 eng d
040 $aBTCTA$beng$erda$cBTCTA$dBDX$dUKMGB$dYDXCP$dNDD$dCGP$dCUV$dOCLCF$dDGU$dNLE$dOCLCQ
015 $aGBB406368$2bnb
016 7 $a016604003$2Uk
019 $a891358509
020 $a9781782791409
020 $a178279140X
020 $z9781782791393$q(ebook)
035 $a(OCoLC)866617210$z(OCoLC)891358509
050 14 $aPN1995$b.R663 2014
082 04 $a791.4301$223
100 1 $aRombes, Nicholas,$eauthor.
245 10 $a10/40/70 :$bconstraint as liberation in the era of digital film theory /$cNicholas Rombes.
246 3 $aTen, forty, seventy
264 1 $aWinchester, UK :$bZero Books,$c2014.
300 $a130 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aPreface: Plagues of meaning -- 10/40/70 -- Intermission: spooky action at a distance -- 10/40/70 redux -- Epilogue.
520 $aHow do you write about digital film in new and refreshing ways? Pause the film at the 10-, 40-, and 70-minute mark and write about the frames at hand, no matter what they are.
650 0 $aFilm criticism.
650 0 $aDigital cinematography.
650 7 $aDigital cinematography.$2fast$0(OCoLC)fst00893633
650 7 $aFilm criticism.$2fast$0(OCoLC)fst00924259
938 $aBrodart$bBROD$n108363201
938 $aBaker and Taylor$bBTCP$nBK0014215712
938 $aYBP Library Services$bYANK$n11410296
029 1 $aAU@$b000052923691
029 1 $aNZ1$b15371661
029 1 $aUKMGB$b016604003
029 1 $aDKDLA$b800010-katalog:99121971266905763
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 48 OTHER HOLDINGS