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LEADER: 03207cam 2200457 i 4500
001 ocm00545749
003 OCoLC
005 20100524122655.0
008 741114s1948 nyu 000 0 eng
010 $a 74189392
040 $aDLC$cDLC$dNSB
019 $a2805995$a3206942$a4520746$a5467779$a5903232$a6691219$a8015506$a11046689
035 $a(OCoLC)545749$z(OCoLC)2805995$z(OCoLC)3206942$z(OCoLC)4520746$z(OCoLC)5467779$z(OCoLC)5903232$z(OCoLC)6691219$z(OCoLC)8015506$z(OCoLC)11046689
041 1 $aeng$hrus
050 00 $aPN2062$b.S7313 1967
082 00 $a792/.028
100 1 $aStanislavsky, Konstantin,$d1863-1938.
240 10 $aRabota aktera nad soboĭ.$n1.$pRabota nad soboĭ v tvorcheskom prot︠s︡esse perezhivanii︠a︡.$lEnglish
245 13 $aAn actor prepares /$cby Constantin Stanislavski ; translated by Elizabeth Reynolds Hapgood ; introd. by John Gielgud.
260 $aNew York :$bTheatre Arts Books,$c[1948] 1967 printing.
300 $axvi, 295 p. ;$c21 cm.
500 $aTranslation of: Rabota aktera nad soboĭ. 1. Rabota nad soboĭ v tvorcheskom prot︠s︡esse perezhivanii︠a︡.
505 0 $aThe first test -- When acting is an art -- Action -- Imagination -- Concentration of attention -- Relaxation of muscles -- Units and objectives -- Faith and a sense of truth -- Emotion memory -- Communion -- Adaptation -- Inner motive forces -- The unbroken line -- The inner creative state -- The super-objective -- On the threshold of the subconscious.
520 $aThis work is the first volume of Stanislavski's trilogy on the art of acting; it explains the art of acting in semi-fiction form. Fusing psychological realism and expressionism, his exploratory exercises teach actors to evoke past emotions that draw out their vulnerability. Stanislavski here introduces such concepts as the "magic if," "emotion memory," the "unbroken line" and many more now famous rehearsal aids. This classic manual is written from the viewpoint of fictional actors taking lessons from a director (based on Stanislavski). Through the student's mistakes, questions, revelations, and struggles, Stanislavski teaches the actor about the stage, truth, and life itself.
650 0 $aMethod acting
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