MARC record from Internet Archive

LEADER: 04697cam 2200949 i 4500
001 ocn907375484
003 OCoLC
005 20220719234411.0
008 150415s2015 miua ob 001 0 eng d
006 m o d
007 cr cnu---unuuu
010 $z 2014032681
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019 $a992572917$a1058865797$a1097110104$a1164780388$a1303433289
020 $a9780472120758$q(electronic bk.)
020 $a0472120751$q(electronic bk.)
020 $z9780472072422
020 $z0472072420
020 $z9780472052424
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024 8 $a10.3998/mpub.5838566
035 $a(OCoLC)907375484$z(OCoLC)992572917$z(OCoLC)1058865797$z(OCoLC)1097110104$z(OCoLC)1164780388$z(OCoLC)1303433289
037 $a22573/ctt1d7394g$bJSTOR
043 $ae-fr---
050 4 $aML3509.F7$bP47 2015eb
072 7 $aMUS$x041000$2bisacsh
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082 04 $a781.650944/09045$223
100 1 $aPerchard, Tom,$d1976-$eauthor.
245 10 $aAfter Django :$bmaking jazz in postwar France /$cTom Perchard.
264 1 $aAnn Arbor [Michigan] :$bUniversity of Michigan Press,$c[2015]
300 $a1 online resource (viii, 297 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file
490 1 $aJazz perspectives
504 $aIncludes bibliographical references and index.
505 0 $aHistories of jazz in France -- Hugues Panassié's supernatural swing : criticism, politics and the iconic jazz recording -- Jazz between art and entertainment : André Hodeir and Thelonious Monk -- Cool going cold : Miles Davis and Ascenseur pour l'échafaud -- Barney Wilen : phantoms and freedom -- Looking for something we don't yet know : towards a French jazz -- A good jazzman is a dead jazzman.
588 0 $aPrint version record.
520 $aThe first study to focus on jazz in postwar France, this book explores the ways that French musicians and critics received and remade an American music according to their own cultural concerns.
546 $aEnglish.
650 0 $aJazz$zFrance$y1941-1950$xHistory and criticism.
650 0 $aJazz$zFrance$y1951-1960$xHistory and criticism.
650 0 $aJazz$zFrance$y1961-1970$xHistory and criticism.
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aHISTORY$zEurope$zFrance.$2bisacsh
650 7 $aJazz.$2fast$0(OCoLC)fst00982165
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
650 7 $aJazz$2gnd
651 7 $aFrankreich$2gnd
650 6 $aJazz$zFrance$y1941-1950$xHistoire et critique.
650 6 $aJazz$zFrance$y1951-1960$xHistoire et critique.
650 6 $aJazz$zFrance$y1961-1970$xHistoire et critique.
648 7 $a1941-1970$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aPerchard, Tom, 1976-$tAfter Django$z9780472072422$w(DLC) 2014032681$w(OCoLC)888401393
830 0 $aJazz perspectives (Ann Arbor, Mich.)
856 40 $3ebrary$uhttp://site.ebrary.com/id/11043013
856 40 $3EBSCOhost$uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=978591
856 40 $3JSTOR$uhttps://www.jstor.org/stable/10.3998/mpub.5838566
856 40 $3MyiLibrary$uhttp://www.myilibrary.com?id=768735
856 40 $3ProQuest Ebook Central$uhttps://public.ebookcentral.proquest.com/choice/publicfullrecord.aspx?p=4437876
856 40 $3Project MUSE$uhttps://muse.jhu.edu/books/9780472120758
856 40 $uhttps://doi.org/10.3998/mpub.5838566$zAccess to the Michigan Publishing online version
856 40 $uhttps://doi.org/10.3998/mpub.5838566$zConnect to e-book (temporary access enabled until 31st August 2020)
938 $aCoutts Information Services$bCOUT$n30167933
938 $aEBL - Ebook Library$bEBLB$nEBL4437876
938 $aebrary$bEBRY$nebr11043013
938 $aEBSCOhost$bEBSC$n978591
938 $aProQuest MyiLibrary Digital eBook Collection$bIDEB$ncis30167933
938 $aProject MUSE$bMUSE$nmuse46562
938 $aUniversity of Michigan press$bUOMP$n10.3998/mpub.5838566
938 $aYBP Library Services$bYANK$n12384156
029 1 $aAU@$b000056945610
994 $aZ0$bIME
948 $hHELD BY IME - 396 OTHER HOLDINGS