MARC record from Internet Archive

LEADER: 05756cam 2200973 a 4500
001 ocm34782594
003 OCoLC
005 20211016164530.0
008 960515s1997 njua b 001 0 eng
010 $a 96009027
040 $aDLC$beng$cDLC$dUKM$dCPA$dLVB$dNLGGC$dUBA$dBTCTA$dYDXCP$dNLE$dUBC$dZWZ$dBDX$dOCLCF$dDEBSZ$dOCLCQ$dOCLCO$dOCLCQ$dHLS$dI8M$dOCLCA$dOCLCQ$dCSJ$dDHA$dOCLCQ$dTYC$dCPO$dOCLCQ$dAU@$dOCLCQ$dUKMGB$dFWR$dYBM$dOCLCQ$dDCT$dS2H$dMM9$dZHC$dIL4J6$dOCLCO$dOCLCQ$dOCL$dOCLCO
015 $aGB9733956$2bnb
016 7 $a011975179$2Uk
016 7 $a006348160$2Uk
019 $a36954983$a422872675$a810731725$a828247414$a1008398996$a1022678204$a1033576729$a1034540420$a1090683016$a1167161242$a1201940301$a1204595191
020 $a0691011737$q(alk. paper)
020 $a9780691011738$q(alk. paper)
020 $a0691002991
020 $a9780691002996
035 $a(OCoLC)34782594$z(OCoLC)36954983$z(OCoLC)422872675$z(OCoLC)810731725$z(OCoLC)828247414$z(OCoLC)1008398996$z(OCoLC)1022678204$z(OCoLC)1033576729$z(OCoLC)1034540420$z(OCoLC)1090683016$z(OCoLC)1167161242$z(OCoLC)1201940301$z(OCoLC)1204595191
050 00 $aN7480$b.D33 1997
080 $a709
082 00 $a701/.18$220
084 $a20.07$2bcl
100 1 $aDanto, Arthur C.,$d1924-2013.
245 10 $aAfter the end of art :$bcontemporary art and the pale of history /$cArthur C. Danto.
260 $aPrinceton, N.J. :$bPrinceton University Press,$c©1997.
300 $axx, 239 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe A.W. Mellon lectures in the fine arts ;$v1995
490 1 $aBollingen series ;$vXXXV, 44
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: possibility and comedy.
520 $aOver a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vassari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age - where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today. Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg - who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism.
540 $aCurrent Copyright Fee: GBP20.00$c0.$5Uk
650 0 $aArt$xHistoriography.
650 0 $aPostmodernism.
650 0 $aArt criticism$xPhilosophy.
650 1 $aPostmodernism.
650 2 $aArt criticism$xPhilosophy.
650 6 $aArt$xHistoriographie.
650 6 $aPostmodernisme.
650 6 $aCritique d'art$xPhilosophie.
650 7 $aArt criticism$xPhilosophy.$2fast$0(OCoLC)fst00815501
650 7 $aArt$xHistoriography.$2fast$0(OCoLC)fst00815259
650 7 $aPostmodernism.$2fast$0(OCoLC)fst01073164
650 17 $aKunstbeschouwing.$2gtt
650 17 $aKunstkritiek.$2gtt
650 17 $aBeeldende kunsten.$2gtt
650 17 $aEsthetica.$2gtt
650 17 $aPostmodernisme.$2gtt
650 7 $aCrítica de arte.$2larpcal
650 7 $aHistória da arte.$2larpcal
650 7 $aArt$xHistoriography.$2nli
650 7 $aPostmodernism.$2nli
650 7 $aArt criticism$xPhilosophy.$2nli
650 7 $aArt$xHistoriographie.$2ram
650 7 $aPostmodernisme.$2ram
655 7 $aArt criticism.$2fast$0(OCoLC)fst02003312
655 7 $aArt criticism.$2lcgft
830 0 $aA.W. Mellon lectures in the fine arts ;$v1995.
830 0 $aBollingen series ;$v35:44.
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/prin031/96009027.html
856 41 $3Table of contents$uhttp://swbplus.bsz-bw.de/bsz054090903inh.htm
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/prin021/96009027.html
938 $aBrodart$bBROD$n49834509$c$32.50
938 $aBaker and Taylor$bBTCP$nbl 99004802
938 $aYBP Library Services$bYANK$n1489999
029 1 $aAU@$b000012450967
029 1 $aAU@$b000060994611
029 1 $aDEBSZ$b054090903
029 1 $aHR0$b0691011737
029 1 $aNZ1$b4514657
029 1 $aUKBRU$b190231
029 1 $aUKMGB$b011975179
029 1 $aUNITY$b024019410
029 1 $aYDXCP$b1281477
029 1 $aYDXCP$b1489999
029 1 $aZWZ$b055093329
029 1 $aUKMGB$b006348160
994 $aZ0$bP4A
948 $hHELD BY P4A - 1155 OTHER HOLDINGS