MARC record from Internet Archive

LEADER: 05646cam 2200961 a 4500
001 ocm48754118
003 OCoLC
005 20180622235325.0
008 020612s2002 enk b 001 0 eng
010 $a 2002283498
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020 $a0192142682
020 $a9780192142689
020 $a0192804723
020 $a9780192804723
035 $a(OCoLC)48754118$z(OCoLC)51437613$z(OCoLC)493386485$z(OCoLC)1022614126
037 $nSAN 202-5892
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045 $aSFR
050 00 $aPR2877$b.A38 2002
082 00 $a822.3/3$221
084 $a18.05$2bcl
084 $a17.75$2bcl
245 00 $aAfter Shakespeare :$ban anthology /$cedited by John Gross.
260 $aOxford ;$aNew York :$bOxford University Press,$c2002.
300 $axiii, 360 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 345-354) and indexes.
505 0 $aBy way of a prologue -- The man and the legend -- The poet -- The making of a reputation -- Worlds elsewhere -- Echoes -- In the shadow of history -- Early encounters -- A variety of views -- Among novelists -- Plays and characters -- Fictions . 1 Tales of shakespeare -- Fictions . 2 Tales from Shakespeare -- Offshoots and adaptations -- In the margin -- By way of an afterword.
520 $aNo writer has served as such a powerful source of inspiration for other writers as Shakespeare. No writer has attracted such widespread and varied comment. This unique anthology draws on the vast literature that plays little part in formal Shakespeare criticism and scholarship, but that shows with immediacy and passion the enormous impact Shakespeare has had on our cultural life. Novelists, poets, and playwrights are all represented. So are philosophers, historians, composers, film-makers, politicians. Shakespearean characters and motifs are shown fuelling the genius of Goethe and Dostoevsky, Aldous Huxley and Emily Dickinson, John Updike and Duke Ellington, Nabokov and Proust. Shakespeare the man fires the imagination of Kipling and Joyce, Borges and Anthony Burgess. Herman Melville writes a poem about Falstaff. D.H. Lawrence anatomizes Hamlet. R.K. Narayan describes a Shakespeare lesson in an Indian classroom. John Osborne adapts Coriolanus. Ionesco reworks Macbeth. The choice of critical responses is equally wide-ranging. Jean-Paul Sartre proves an unexpectedly expert commentator on King Lear. Alfred Dreyfus and Nelson Mandela console themselves with Shakespeare during their imprisonment. And curiosities abound - parodies, burlesques, strange echoes and eccentricities. Throughout the book we can see Shakespeare changing lives, opening up fresh horizons and reaching out to "the great globe itself".-Dust jacket.
600 10 $aShakespeare, William,$d1564-1616$vParodies, imitations, etc.
600 10 $aShakespeare, William,$d1564-1616$vLiterary collections.
600 10 $aShakespeare, William,$d1564-1616$vAdaptations.
600 10 $aShakespeare, William,$d1564-1616$vAllusions.
600 14 $aShakespeare, William,$d1564-1616$xParodies, imitations, etc.
600 14 $aShakespeare, William,$d1564-1616$xLiterary collections.
600 14 $aShakespeare, William,$d1564-1616$vAdaptations.
600 14 $aShakespeare, William,$d1564-1616$xAllusions.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
600 17 $aShakespeare, William,$d(1564-1616)$xInfluence.$2ram
600 17 $aShakespeare, William,$d(1564-1616)$2ram
600 17 $aShakespeare, William,$d(1564-1616)$xAdaptations.$2ram
650 7 $aShakespeare, William (1564-1616)$xAdaptations.$2ram
650 7 $aShakespeare, William (1564-1616)$xInfluences.$2ram
655 7 $aAdaptations.$2fast$0(OCoLC)fst01423910
655 7 $aLiterary collections.$2fast$0(OCoLC)fst01423811
655 7 $aParodies, imitations, etc.$2fast$0(OCoLC)fst01423840
655 7 $aAdaptations.$2lcgft
700 1 $aGross, John,$d1935-2011.
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0725/2002283498-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0639/2002283498-d.html
856 42 $3The Horace Howard Furness Memorial Fund Home Page$uhttp://hdl.library.upenn.edu/1017.12/366213
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