MARC record from Internet Archive

LEADER: 02130cam a2200433I 4500
001 ocm01478363
003 OCoLC
005 20191109072354.2
008 750725s1962 nyuf b 000 0 eng
010 $a 62010520
040 $aDLC$beng$cJPL$dOCL$dSER$dOCL$dOCLCG$dCCV$dOCLCQ$dBGCBL$dOCLCA$dOCLCQ$dOCLCO$dOCLCF$dBRL$dGUA
019 $a433926396
029 1 $aAU@$b000001430014
029 1 $aNLGGC$b282660968
035 $a(OCoLC)01478363$z(OCoLC)433926396
041 1 $aeng$hita
050 00 $aND623.M43$bP763
082 04 $a759.5
096 $a759.5 M39
049 $aMAIN
100 0 $aMasaccio,$d1401-1428.
245 10 $aAll the paintings of Masaccio.$cText by Ugo Procacci. Translated by Paul Colacicchi.
260 $aNew York,$bHawthorn Books$c[1962]
300 $a50 pages$bplates (some color)$c18 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe Complete library of world art,$vv. 6
504 $a"Bibliographical note": page 50.
520 8 $aMasaccio is considered a pioneer in the art of the Italian Renaissance. His frescos created a new era in Florentine art, and his work was both instructional and inspirational for generations of Italian artists to come, including Michelangelo and Raphael. His work is revolutionary in that he advanced art through the use of realism, and that he is universally recognized as the first artist to employ the laws of perspective. Masaccio's knowledge of the human form and his presentation of it "in the round", as well as his naturalistic treatment of both figures and landscapes, led Leonardo da Vinci to call his frescos "perfect works."
590 $bInternet Archive - 2
590 $bInternet Archive 2
600 00 $aMasaccio,$d1401-1428.
600 07 $aMasaccio,$d1401-1428.$2fast$0(OCoLC)fst00030231
700 1 $aProcacci, Ugo.
776 08 $iOnline version:$aMasaccio, 1401-1428?$tAll the paintings of Masaccio.$dNew York, Hawthorne Books [1962]$w(OCoLC)647047559
830 0 $aComplete library of world art ;$vv. 6.
994 $a92$bERR
976 $a31927001040630