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MARC record from Internet Archive

LEADER: 04209cam 22006374a 4500
001 ocm62093456
003 OCoLC
005 20110505115248.0
008 051015s2005 nyuaf bk 001 0deng
010 $a 2005054692
040 $aDLC$cDLC$dYDX$dZNS$dBAKER$dIXA$dVP@$dBTCTA$dYDXCP$dOCLCG$dSMP$dCQU$dNXA$dGEBAY$dHALAN$dZAG$dIG#
020 $a0670034568
020 $a9780670034567
035 $a(OCoLC)62093456
042 $apcc
043 $an-us-ny
050 00 $aML3477.8.N48$bE44 2005
082 00 $a781.6409747/109045$222
100 1 $aEmerson, Ken,$d1948-
245 10 $aAlways magic in the air :$bthe bomp and brilliance of the Brill Building era /$cKen Emerson.
260 $aNew York :$bViking,$c2005.
300 $axvi, 334 p., [8] p. of plates :$bill. ;$c25 cm.
504 $aIncludes bibliographical references (p. [307]-316), discography (p. [317]-320), and index.
504 $aThe original cool cats -- A Broadway divided -- Lonely avenue -- "My daughter bought it, what are you going to do about it?" -- Partners in chutzpah -- The young lovers -- Putting the bomp in the bomp, bomp, bomp -- In the garden of Aldon -- "It was just Jewish Latin" -- Baby talk -- At work in the Elvis atelier -- The magician and the mensch -- Selling out -- Seesaw -- Double trouble -- Golden girls -- "Somethin' died" -- Swinging London -- From the Monkees to Thomas Mann.
505 00 $g1$tThe Original Cool Cats$g1 --$g2$tA Broadway Divided$g17 --$g3$tLonely Avenue$g31 --$g4$t"My Daughter Bought It. What Are You Going to Do About It?"$g51 --$g5$tPartners in Chutzpah$g65 --$g6$tThe Young Lovers$g84 --$g7$tPutting the Bomp in the Bomp, Bomp, Bomp$g92 --$g8$tIn the Garden of Aldon$g104 --$g9$t"It Was Just Jewish Latin"$g121 --$g10$tBaby Talk$g141 --$g11$tAt Work in the Elvis Atelier$g155 --$g12$tThe Magician and the Mensch$g167 --$g13$tSelling Out$g182 --$g14$tSeesaw$g195 --$g15$tDouble Trouble$g208 --$g16$tGolden Girls$g214 --$g17$t"Somethin' Died"$g225 --$g18$tSwinging London$g238 --$g19$tFrom the Monkees to Thomas Mann$g249.
520 $aProfiles fourteen songwriters responsible for such hits as "Jailhouse Rock," "Uptown," and "You've Lost That Lovin' Feeling'," explaining how their blending of music from different genres affected social consciousness.
650 0 $aPopular music$zNew York (State)$zNew York$y1951-1960$xHistory and criticism.
650 0 $aPopular music$zNew York (State)$zNew York$y1961-1970$xHistory and criticism.
650 0 $aComposers$zNew York (State)$zNew York.
650 0 $aLyricists$zNew York (State)$zNew York.
648 7 $aGeschichte 1950-1970$2swd
650 07 $aPopmusik$2swd
650 07 $aKomponist$2swd
651 7 $aNew York (NY)$2swd
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0719/2005054692-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0719/2005054692-d.html
938 $aBaker and Taylor$bBTCP$n2005054692
938 $aYBP Library Services$bYANK$n2228700
938 $aBaker & Taylor$bBKTY$c25.95$d19.46$i0670034568$n0006416440$sactive
938 $aIngram$bINGR$n9780670034567
952 $a62093456$zDLC$bLIBRARY OF CONGRESS$dURI$hCore$iLCC$kDDC$nSummary$ppcc$tContents$u20110310
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952 $a444736556$zRBN$bBROWN UNIV$hCore$iLCC$u20100802
952 $a487821828$zN15$bNEW YORK UNIV, GROUP BATCHLOAD$hCore$iLCC$kDDC$ppcc$u20100709
952 $a490785434$zTEU$bTEMPLE UNIV$hFull$u20100711
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948 $hNO HOLDINGS IN PMR - 547 OTHER HOLDINGS