MARC record from Internet Archive

LEADER: 06447cam 2200901Ma 4500
001 ocn797840507
003 OCoLC
005 20220901132522.0
008 120608s2012 enka ob 001 0 eng d
006 m o d
007 cr cn|||||||||
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245 00 $aAnimating the unconscious :$bdesire, sexuality and animation /$cedited by Jayne Pilling.
260 $aLondon :$bWallflower Press,$c2012.
300 $a1 online resource (ix, 220 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aNotes on Contributors; Introduction by Jayne Pilling; Women: From Outside In and Inside Out; The Body and the Unconscious as CreativeElements in the Work of Michèle Cournoyer by Julie Roy; Michèle Cournoyer:Comments on making The Hat; Michaela Pavlátová: Frustrated Coupling by Olivier Cotte; On Vera Neubauer by Leslie Felperin; Vera Neubauer's Wheel of Life -- Interview; Truth Under Oppression: The Films of Ruth Lingford by Simon Pummell; Ruth Lingford: Pleasures of War -- Interview; Interrogating Masculinity; Revealing Men: The Y Factor by Ruth Lingford.
505 8 $aExtracts from Simon Pummell's NotebooksOn Simon Pummell's The Secret Joy of Falling Angels; On Andreas Hykade's We Lived in Grass and Ring of Fire'"; Igor Kovalyov's Bird in the Window and Milch by Michael O'Pray; On Craig Welch's How Wings are Attached to the Backs of Angels; The Embodied Voice: In Confessional Mode by Jayne Pilling; Whose Body is It? by Alys Hawkins; Sound and Emotional Narrative: Annabelle Pangborn on Scoring The Secret Joy of Falling Angels; A Composer at Work: Notebooks on The Secret Joy of Falling Angels; Ian Gouldstone on guy 101; Script development on guy 101.
505 8 $aFinal Script: guy101Modes of Reality; Mixing Memory and Desire: Animation, Documentary and the Sexual Event by Karen Beckman; The Stain: Interviews with Marjut Rimminen and Christine Roche; The Stain: Christine Roche's Sketchbooks; The Animated Body and Its Material Nature by Ruth Hayes; Index.
520 $aAs critical interest has grown in the unique ways in which art animation explores and depicts subjective experience? particularly in relation to desire, sexuality, social constructions of gender, confessional modes, fantasy, and the animated documentary? this volume offers detailed analysis of both the process and practice of key contemporary filmmakers, while also raising more general issues around the specificities of animation. Combining critical essays with interview material, visual mapping of the creative process, consideration of the neglected issue of how the use of sound differ.
650 0 $aAnimation (Cinematography)
650 0 $aDesire.
650 0 $aSex.
650 6 $aAnimation (Cinéma)
650 6 $aDésir.
650 6 $aSexualité.
650 7 $aanimations (visual works)$2aat
650 7 $asexuality.$2aat
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aAnimation (Cinematography)$2fast$0(OCoLC)fst00809628
650 7 $aDesire.$2fast$0(OCoLC)fst00891351
650 7 $aSex.$2fast$0(OCoLC)fst01114160
650 7 $aAnimationsfilm$2gnd
650 7 $aGeschlechterrolle$gMotiv$2gnd
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aAnimation (Cinematography)$2lcgft
700 1 $aPilling, Jayne.
776 08 $iPrint version:$aPilling, Jayne.$tAnimating the Unconscious : Desire, Sexuality and Animation.$dNew York : Columbia University Press, ©2012$z9780231161992
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