Record ID | ia:animationamerica0000well |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/animationamerica0000well/animationamerica0000well_marc.xml |
Download MARC binary | https://www.archive.org/download/animationamerica0000well/animationamerica0000well_meta.mrc |
LEADER: 04883cam 2200841Ia 4500
001 ocm52274272
003 OCoLC
005 20211024183956.0
008 030519s2002 stk obq 001 0 eng d
006 m o d
007 cr cn|||||||||
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020 $a0585443688$q(electronic bk.)
020 $a9780585443683$q(electronic bk.)
020 $a9781474473521$q(electronic bk.)
020 $a1474473520$q(electronic bk.)
020 $z1853312037
020 $z9781853312038
020 $z9780813531601
020 $z0813531608
035 $a(OCoLC)52274272$z(OCoLC)696448081$z(OCoLC)793523066$z(OCoLC)1145340855$z(OCoLC)1165841862$z(OCoLC)1165976600
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050 4 $aPN1997.5$b.W455 2002eb
072 7 $aPER$x004040$2bisacsh
082 04 $a791.4330973$221
084 $a24.34$2bcl
086 0 $aFLM3027
100 1 $aWells, Paul,$d1961-
245 10 $aAnimation and America /$cPaul Wells.
260 $aEdinburgh :$bEdinburgh University Press,$c©2002.
300 $a1 online resource (185 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aBAAS paperbacks
504 $aIncludes bibliographical references (pages 178-181) and index.
504 $aIncludes filmography: pages 172-177.
588 0 $aPrint version record.
505 00 $tIntroduction: Abdicating All Mental Law --$g1.$tAnimation and Modernism --$g2.$tThe Disney Effect --$g3.$tSynaesthetics, Subversion, Television --$g4.$tNew Disney, Old Stories? --$g5.$tNew Animation Auteurs --$g6.$tUnited States of the Art.
520 1 $a"In Animation and America, Professor Paul Wells looks at animation in the United States afresh. He discusses the distinctiveness of the cartoon form and the myriad other types of animation production, insisting upon the 'modernity' of the form and its crucial importance as a barometer of the social conditions in which it was made, and which it reflects." "The book does not work as an orthodox history of animation in America, but rather uses animation as a way of discussing personal, social and political change, concentrating on the ways in which the form continues to grow, experiment and remain subversive while gaining increasing popular acclaim and recognition. Animation is now in the vanguard of visual culture per se: it occupies an important position in representing both the outcomes and impacts of new technologies - as it has always done - but it has also laid the foundations for a new understanding of social and artistic practice."--BOOK JACKET.
650 0 $aAnimated films$zUnited States.
610 24 $aWalt Disney Company.
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aAnimated films.$2fast$0(OCoLC)fst00809611
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aAnimationsfilm$2gnd
650 17 $aAnimatiefilms.$2gtt
651 7 $aVerenigde Staten.$2gtt
651 7 $aUSA.$2swd
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aWells, Paul, 1961-$tAnimation and America.$dEdinburgh : Edinburgh University Press, ©2002$z1853312037$w(OCoLC)49728988
830 0 $aBAAS paperbacks.
856 40 $3EBSCOhost$uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=81208
856 4 $3EBSCOhost$uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=81208
856 40 $3NetLibrary$uhttps://elib.southwest.tn.edu:3443/login?url=http://www.netlibrary.com/urlapi.asp?action=summary&v=1&bookid=81208$zAn electronic book accessible through the World Wide Web; click for information
856 4 $uhttp://www.lib.utk.edu/cgi-bin/auth/connect.cgi?netlibrary=81208$zOnline access - 1 simultaneous user
856 40 $3JSTOR$uhttps://www.jstor.org/stable/10.3366/j.ctvxcrb28
856 $uhttps://whel-primo.hosted.exlibrisgroup.com/openurl/44WHELF_BANG/44WHELF_BANG_services_page?u.ignore_date_coverage=true&rft.mms_id=991004907709802422$p53133219970002422$xWlBaU$xAvailable
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938 $aEBSCOhost$bEBSC$n81208
938 $aYBP Library Services$bYANK$n2332621
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948 $hNO HOLDINGS IN P4A - 1281 OTHER HOLDINGS