MARC record from Internet Archive

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050 00 $aNC1766.J3$bN37 2001
082 00 $a791.43/3$221
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100 1 $aNapier, Susan Jolliffe.
245 10 $aAnime from Akira to Princess Mononoke :$bexperiencing contemporary Japanese animation /$cSusan J. Napier.
250 $a1st ed.
260 $aNew York :$bPalgrave,$c2001.
300 $aviii, 311 p. :$bcol. ill. ;$c22 cm.
504 $aIncludes bibliographical references (p. [291]-299) and index.
505 0 $aWhy anime? -- Anime and local/global identity -- Akira and Ranma 1/2 : the monstrous adolescent -- Controlling bodies : the body in pornographic anime -- Ghosts and machines : the technological body -- Doll parts : technology and the body in Ghost in the shell -- The enchantment of estrangement : the shōjo in the world of Miyazaki Hayao -- Carnival and conservatism in romantic comedy -- No more words : Barefoot Gen, Grave of the fireflies, and "victim's history" -- Princess Mononoke : fantasy, the feminine, and the myth of "progress" -- Waiting for the end of the world : apocalyptic identity -- Elegies -- Conclusion : A fragmented mirror -- Appendix : The fifth look : Western audiences and Japanese animation.
520 $aJapanese animation, known as anime to its fans, has a firm hold on American pop culture. However, anime is much more than children's cartoons. It runs the gamut from historical epics to sci-fi sexual thrillers. Often dismissed as fanciful entertainment, anime is actually quite adept at portraying important social and cultural issues such as alienation, gender inequality, and teenage angst. This book investigates the ways that anime presents these issues in an in-depth and sophisticated manner, uncovering the identity conflicts, fears over rapid technological advancement, and other key themes present in much of Japanese animation.
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856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/hol051/00051473.html
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