MARC record from Internet Archive

LEADER: 05129cam 2200805 i 4500
001 ocn809911051
003 OCoLC
005 20200719013225.0
008 121105s2013 ilua b 001 0 eng c
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050 00 $aPN56.S475$bC47 2013
082 00 $a809/.9145$223
084 $a24.32$2bcl
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100 1 $aChandler, James,$d1948-$eauthor.
245 13 $aAn archaeology of sympathy :$bthe sentimental mode in literature and cinema /$cJames Chandler.
264 1 $aChicago ;$aLondon :$bThe University of Chicago Press,$c[2013]
300 $axxi, 430 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 339-402) and index.
505 0 $aThe Capraesque. Capra's America ; Capra remakes Capra ; Cinema as a medium of sentiment -- The making of literary sentimentalism. The case of the literary spectator ; Sentimental journeys, vehicular states ; The emergence of sentimental probability ; Sentimental monstrosity -- Against sentiment. Romanticism ; Modernism.
520 $a"In the middle of the eighteenth century, something new made itself felt in European culture -- a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being. In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra's It Happened One Night, Mr. Deeds Goes to Town, and It's a Wonderful Life. Chandler then moves forward to romanticism and modernism -- two cultural movements often seen as defined by their rejection of the sentimental -- examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work. Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world."--The dust-jacket front flap.
600 10 $aCapra, Frank,$d1897-1991$xCriticism and interpretation.
650 0 $aSentimentalism.
650 0 $aSentimentalism in motion pictures.
650 0 $aSentimentalism in literature.
650 0 $aEnglish literature$xHistory and criticism.
650 7 $a24.32 history of film art.$0(NL-LeOCL)077601394$2bcl
650 7 $a02.99 science and culture in general: other.$0(NL-LeOCL)169886360$2bcl
650 7 $aLiterature.$2eflch
600 17 $aCapra, Frank,$d1897-1991.$2fast$0(OCoLC)fst00047814
650 7 $aEnglish literature.$2fast$0(OCoLC)fst00911989
650 7 $aSentimentalism.$2fast$0(OCoLC)fst01112660
650 7 $aSentimentalism in literature.$2fast$0(OCoLC)fst01112663
650 7 $aSentimentalism in motion pictures.$2fast$0(OCoLC)fst01112664
650 17 $aSentimentalisme.$2gtt
650 17 $aRomantiek.$2gtt
650 17 $aModernisme (cultuur)$2gtt
650 17 $aSentimentele romans.$2gtt
650 17 $aFilms.$2gtt
651 7 $aVerenigde Staten.$2gtt
651 7 $aVerenigd Koninkrijk van Groot-Brittannië en Noord-Ierland.$2gtt
600 17 $aCapra, Frank,$d1897-1991.$0(NL-LeOCL)072798939$2nta
650 7 $aLiterature.$2ukslc
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
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