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LEADER: 09699cam 2201369Ka 4500
001 ocn666911720
003 OCoLC
005 20210525003322.0
008 100929s2003 onc ob 001 0 eng d
006 m o d
007 cr cn|||||||||
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020 $a9781442671003$q(electronic bk.)
020 $a1442671009$q(electronic bk.)
020 $a1282022946
020 $a9781282022942
020 $z0802036821$q(bound)
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020 $z9780802085047
020 $a9786612022944
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050 4 $aHM1206$b.D69 2003
050 4 $aPN1992.6$b.D69 2003
055 0 $aHM1206$bD69 2003
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082 04 $a306.2/8$222
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084 $a05.36$2bcl
100 1 $aDoyle, Aaron,$eauthor.
245 10 $aArresting images :$bcrime and policing in front of the television camera /$cAaron Doyle.
260 $aToronto ;$aBuffalo :$bUniversity of Toronto Press,$c2003.
300 $a1 online resource (viii, 198 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aThree alternative ways of thinking about television's influences -- Reality television and policing : the case of Cops -- Surveillance cameras, amateur video, and "real" crime on television -- Television and the policing of Vancouver's Stanley Cup riot -- The media logic of Greenpeace -- Conclusions -- Postscript : television and theorizing the evolution of criminal justice.
520 $aWhile most research on television examines its impact on viewers, Arresting Images asks instead how TV influences what is in front of the camera, and how it reshapes other institutions as it broadcasts their activities. Aaron Doyle develops his argument with four studies of televised crime and policing: the popular American 'reality-TV' series Cops; the televising of surveillance footage and home video of crime and policing; footage of Vancouver's Stanley Cup riot; and the publicity-grabbing demonstrations of the environmental group Greenpeace. Each of these studies is of significant interest in its own right, but Doyle also uses them to make a broader argument rethinking television's impacts. The four studies show how televised activities tend to become more institutionally important, tightly managed, dramatic, simplified and fitted to society's dominant values. Powerful institutions, like the police, harness television for their own legitimation and surveillance purposes, often dictating which situations are televised, and usually producing 'authorized definitions' of the situations, which allow them to control the consequences. While these institutions invoke the notion that "seeing is believing" to reinforce their positions of dominance, the book argues that many observers and researchers have long overstated and misunderstood the role of TV's visual component in shaping its influences.
546 $aEnglish.
650 0 $aMass media$xSocial aspects.
650 0 $aCrime on television$xSocial aspects.
650 0 $aReality television programs$xSocial aspects.
650 0 $aMass media and crime.
650 0 $aMass media and criminal justice.
650 6 $aMédias$xAspect social.
650 6 $aCriminalité à la télévision$xAspect social.
650 6 $aTélévision-vérité$xAspect social.
650 6 $aMédias et criminalité
650 6 $aMédias et justice pénale.
650 7 $aPOLITICAL SCIENCE$xPublic Policy$xCultural Policy.$2bisacsh
650 7 $aSOCIAL SCIENCE$xAnthropology$xCultural.$2bisacsh
650 7 $aSOCIAL SCIENCE$xPopular Culture.$2bisacsh
650 7 $aSOCIAL SCIENCE$xGeneral.$2bisacsh
650 7 $aReality television programs$xSocial aspects.$2fast$0(OCoLC)fst01983805
650 7 $aMass media and crime.$2fast$0(OCoLC)fst01011337
650 7 $aMass media and criminal justice.$2fast$0(OCoLC)fst01011338
650 7 $aMass media$xSocial aspects.$2fast$0(OCoLC)fst01011303
650 17 $aReality-TV.$2gtt
650 17 $aCriminaliteit.$2gtt
650 17 $aPolitie.$2gtt
650 17 $aSociale aspecten.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aDoyle, Aaron.$tArresting images.$dToronto ; Buffalo : University of Toronto Press, 2003$z9780802036827$w(DLC) 2004299370$w(OCoLC)52241892
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856 40 $3desLibris$uhttps://www.deslibris.ca/ID/418482
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