MARC record from Internet Archive

LEADER: 03633cam a22006611 4500
001 ocm00772510
003 OCoLC
005 20191109072613.4
008 730417s1960 nyua b 000 0 eng
010 $a 59013517
040 $aDLC$beng$cDLC$dNLGGC$dBTCTA$dOCLCG$dIAK$dGEBAY$dOCLCQ$dGBVCP$dDEBBG$dOCLCO$dOCLCF$dSTH$dOCLCQ$dYKN$dOCLCA$dPHUST$dOCLCO$dOCLCQ$dNLC$dCSJ$dOCLCO$dOCLCQ$dTYC$dOCLCQ$dPAU$dKSU$dOCLCQ$dOCLCO$dSNN$dBGU$dOCLCO$dXFF$dOCLCQ$dUKMGB$dUMK$dOCLCO$dCBA$dOCLCO
015 $aGB6005064$2bnb
016 $a(AMICUS)000001172824
016 7 $a010936046$2Uk
029 1 $aAU@$b000000639432
029 1 $aDEBBG$bBV012294986
029 1 $aDEBSZ$b057564604
029 1 $aGBVCP$b018550304
029 1 $aGEBAY$b11006310
029 1 $aNZ1$b3240
029 1 $aNZ1$b4133982
029 1 $aZWZ$b015685705
029 1 $aNLC$b000001172824
029 1 $aUKMGB$b010936046
035 $a(OCoLC)00772510
050 00 $aN70$b.G615 1965
055 0 $aN70.G615
082 00 $a701.15
084 $a20.70$2bcl
084 $a77.41$2bcl
084 $a20.30$2bcl
084 $aCX 7500$2rvk
049 $aMAIN
100 1 $aGombrich, E. H.$q(Ernst Hans),$d1909-2001.
245 10 $aArt and illusion;$ba study in the psychology of pictorial representation.
260 $a[New York]$bPantheon Books$c1965, c[1960]
300 $axxxi, 466 pages$billustrations (some color)$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBollingen series, 35. The A.W. Mellon lectures in the fine arts, 5
504 $aBibliographical references included in "Notes" (p. [397]-439).
505 0 $aIntroduction: Psychology and the riddle of style -- pt. 1. The limits of likeness. From light into paint ; Truth and the stereotype -- pt. 2. Function and form. Pygmalion's power ; Reflections on the Greek Revolution ; Formula and experience -- pt. 3. The beholder's share. The image in the clouds ; Conditions of illusion ; Ambiguities of the third dimension -- pt. 4. Invention and discovery. The analysis of vision in art ; The experiment of caricature ; From representation to expression.
520 $aConsidered a great classic by all who seek for a meeting ground between science and the humanities, Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. In testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's triumph in Art and Illusion arises from the fact that his main concern is less with the artists than with ourselves, the beholders.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aArt$xPsychology.
650 2 $aArt.
650 2 $aPsychology.
650 7 $aArt$xPsychology.$2fast$0(OCoLC)fst00815321
650 7 $aKunstpsychologie$2gnd
650 07 $aKunstpsychologie.$2swd
776 08 $iOnline version:$aGombrich, E.H. (Ernst Hans), 1909-2001.$tArt and illusion.$d[New York] Pantheon Books [1960]$w(OCoLC)559852162
830 0 $aBollingen series ;$v35.
830 0 $aA.W. Mellon lectures in the fine arts ;$v5.
938 $aBaker and Taylor$bBTCP$n59013517
994 $a92$bERR
976 $a31927001032330