| Record ID | ia:artofaccompanime0001arno_g4y2 |
| Source | Internet Archive |
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LEADER: 03872cam 2200577I 4500
001 ocm00880634
003 OCoLC
005 20221128071056.0
008 740508r19651931nyug b 001 0 eng
010 $a 65024022
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020 $a0486214435$q(v. 2)
020 $a9780486214436$q(v. 2)
020 $a0486214427$q(v. 1)
020 $a9780486214429$q(v. 1)
035 $a(OCoLC)880634$z(OCoLC)494095$z(OCoLC)852789$z(OCoLC)903567611$z(OCoLC)1035857165$z(OCoLC)1065107720$z(OCoLC)1078813613$z(OCoLC)1080685911$z(OCoLC)1082322894$z(OCoLC)1083404003$z(OCoLC)1120787217$z(OCoLC)1132898422$z(OCoLC)1164090660$z(OCoLC)1164417009$z(OCoLC)1164770665$z(OCoLC)1165613065$z(OCoLC)1176217302
050 00 $aML442$b.A7 1965
082 04 $a781.660903
084 $a24.77$2bcl
100 1 $aArnold, F. T.$q(Franck Thomas),$d1861-1940.
245 14 $aThe art of accompaniment from a thorough-bass :$bas practised in the XVIIth & XVIIIth centuries /$cby F. T. Arnold and with a new introduction by Denis Stevens.
260 $aNew York,$bDover Publications$c[1965]
300 $a2 volumes$bmusic$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAmerican Musicological Society-Music Library Association reprint series
500 $a"This Dover ed. is an unabridged and unaltered republication of the work first published in 1931."
504 $aIncludes indexes.
505 0 $aVolume I -- 1. The Beginnings of the Bassus Continuus and Figured bass -- 2. The Principal Treatises of the 18th Century on Accompaniment from a Thorough-Bass -- 3. The General Character of a Figured bass Accompaniment -- 4. On Certain Niceties of the Accompaniment.
505 0 $aVolume II -- 5. Forbidden Progressions -- 6. The Triad or Common Chord -- 7. The Diminished Triad -- 8. The Augmented Triad -- 9. Chords of the Sixth -- 10. 6/4 Chords -- 11. Sevenths -- 12. 6/5 Chords -- 13. 4/3 Chords -- 14. 6/4/2 Chords -- 15. Major Sevenths Resolving Upwards Over the Same Bass -- 16. Chords with an Augmented Sixth -- 17. Harmonies due to the retardation or Anticipation of one or more intervals -- 18. Quick Notes in the Bass -- 19. The Figuring of Transitional Notes -- 20. Pedal Points -- 21. Incomplete Figuring -- 22. Inversion and Transference of Discord. Transference of Resolution. Anticipation Transitus. Catachesis -- 23. Varieties of Figuring -- 24. Varieties of Notation -- 25. Practical Hints.
504 $aIncludes bibliographical references and index.
650 0 $aContinuo.
650 1 $aContinuo.
650 6 $aBasse continue.
650 7 $a24.77 musical interpretation.$0(NL-LeOCL)077601637$2bcl
650 7 $aContinuo.$2fast$0(OCoLC)fst00876756
650 17 $aAccompaniment (music)$0(NL-LeOCL)140179135$2gtt
650 17 $aBasso continuo.$0(NL-LeOCL)133966283$2gtt
648 7 $a1600-1700.$0(NL-LeOCL)241923972$2gtt
648 7 $a1700-1800.$0(NL-LeOCL)241924030$2gtt
700 1 $aStevens, Denis,$d1922-2004,$ewriter of introduction.
776 08 $iOnline version:$aArnold, F.T. (Franck Thomas), 1861-1940.$tArt of accompaniment from a thorough-bass.$dNew York, Dover Publications [1965]$w(OCoLC)756420142
830 0 $aAmerican Musicological Society-Music Library Association reprint series.
029 1 $aAU@$b000002540484
029 1 $aAU@$b000023069058
029 1 $aNLGGC$b831795891
029 1 $aAU@$b000054224056
994 $aZ0$bGTX
948 $hHELD BY GTX - 712 OTHER HOLDINGS