MARC record from Internet Archive

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001 ocm24953813
003 OCoLC
005 20200914200217.0
008 911107s1992 enkaf b 001 0 eng
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020 $a9780714529479
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020 $a9780714529745
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050 00 $aPN1994$b.C53813 1992
082 00 $a791.43$220
084 $a24.30$2bcl
088 $a91043546
100 1 $aCocteau, Jean,$d1889-1963.
240 10 $aDu cinématographie.$lEnglish
245 14 $aThe art of cinema /$cJean Cocteau ; compiled and edited by André Bernard and Claude Gauteur ; translated from the French by Robin Buss ; with introductory essays by Robin Buss, André Bernard, and Claude Gauteur.
260 $aLondon ;$aNew York :$bMarion Boyars ;$aNew York :$bDistributed in the U.S. and Canada by Rizzoli,$c1992.
300 $a224 pages, 16 unnumbered pages of plates :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 220) and indexes.
520 $aJean Cocteau (1889-1963) was a poet, a novelist, a playwright, an artist, an impresario, dandy and socialite. Friend to many of the most daringly original and socially dazzling fgures to be found in Paris at the height of its fame in the early part of this century as the teeming centre of the modernist world, Cocteau collaborated with such luminaries as Picasso, Stravinsky, Satie and Diaghilev.
520 8 $aJean Cocteau was only a small child when the Lumiere brothers first demonstrated their remarkable new invention, moving pidures, and his own artistic development coincided with that of the twentieth century's most important new medium. When given the chance to make his first film (The Blood of the Poet) in 1931, Cocteau embraced the new medium with the originality and verve that were his hallmark.
520 8 $aOver the next thirty years, up to the time of his last film (The Testament of Orpheus) in 1960, Cocteau made eight films, wrote essays on the cinema and film criticism which bore witness to his passionate affair with the moving image. This collection of his writings on film illuminates Cocteau's own work for the cinema, with detailed discussions of his aims, responses to criticism and his reflections on the relationship between cinema and theatre.
520 8 $aAmong several occasional pieces, Cocteau comments on the movie stars he admires - Marlene Dietrich, Brigitte Bardot, James Dean and Robert Montgomery - as well as the achievements of such great directors as Chaplin and Orson Welles. The final section in this volume contains what is perhaps the most remarkable and unique material, offering insights into the mind of a visual poet through the previously unpublished synopses of unrealized film projects. Cocteau's two screenplays The Blood of a Poet and The Testament of Orpheus are published together by Marion Boyars under the title Two Screenplays.
546 $aTranslation of: Du cinématographie.
505 00 $tIntroduction$g(starting p. 7) /$rRobin Buss --$tPreface$g(starting p. 15) --$tTranslator's Note$g(starting p. 22) --$gI$tCinematography and Poetry$g(starting p. 25) --$gII$tNotes and Tributes$g(starting p. 75) --$gIII$tPoesie de Cinema$g(starting p. 131) --$gIV$tUnpublished Synopses$g(starting p. 195) --$tFilmography$g(starting p. 217) --$tBibliography$g(starting p. 220) --$tIndex$g(starting p. 221).
650 0 $aMotion pictures.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
653 0 $aCinema$aFilms (Motion pictures)
655 7 $aMotion pictures.$2fast$0(OCoLC)fst01726252
655 7 $aMotion pictures.$2lcgft
700 1 $aBernard, André,$d1934-
700 1 $aGauteur, Claude,$d1935-
776 08 $iOnline version:$aCocteau, Jean, 1889-1963.$sDu cinématographie. English.$tArt of cinema.$dLondon ; New York : Marion Boyars ; New York : Distributed in the U.S. and Canada by Rizzoli, 1992$w(OCoLC)645964522
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780714529479.pdf
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1412/91043546-d.html
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