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MARC record from Internet Archive

LEADER: 10674cam 2200925 a 4500
001 ocm36806589
003 OCoLC
005 20211009052304.0
008 970417s1997 mauam b 001 0 eng
006 innnn p n
006 jnnnn bk n
007 sd fungnn|||eu
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043 $ae-uk-en
050 00 $aPR2848$b.V46 1997
060 4 $a821.3 V452a
082 00 $a821/.3$221
084 $a18.05$2bcl
084 $aHI 3540$2rvk
100 1 $aVendler, Helen,$d1933-
245 14 $aThe art of Shakespeare's sonnets /$cHelen Vendler.
246 30 $aShakespeare's sonnets
260 $aCambridge, Mass. :$bBelknap Press of Harvard University Press,$c1997.
300 $axviii, 672 pages :$billustrations ;$c26 cm +$e1 audio disc (digital ; 4 3/4 in.)
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
340 $b4 3/4 in.
344 $c1.4 m/s
344 $hdigital recording
504 $aIncludes bibliographical references (pages 657-667) and index.
505 00 $tThe Sonnets.
520 $aIn detailed commentaries on Shakespeare's 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries - presented alongside the complete text of each poem, as printed in the 1609 edition and in a modernized version - offer fresh perspectives on the individual poems, and, taken together, provide a full picture of Shakespeare's techniques as a working poet. With the help of Vendler's acute eye, we gain an appreciation of "Shakespeare's elated variety of invention, his ironic capacity, his astonishing refinement of technique, and, above all, the reach of his skeptical imaginative intent." Vendler's understanding of the sonnets informs her readings on an accompanying compact disk, which is bound with the book. This recorded presentation of a selection of the poems, in giving aural form to Shakespeare's words, heightens our awareness of voice in lyric and adds the dimension of sound to poems too often registered merely as written words.
546 $aEnglish.
583 1 $acommitted to retain$c20170930$d20421231$fHathiTrust$uhttps://www.hathitrust.org/shared_print_program$5AEU$zHathiTrust Shared Print commitment 2017
600 10 $aShakespeare, William,$d1564-1616.$tSonnets.
650 0 $aSonnets, English$xHistory and criticism.
600 16 $aShakespeare, William,$d1564-1616$tSonnets.
650 6 $aSonnets anglais$xHistoire et critique.
630 07 $aSonnets (Shakespeare, William)$2fast$0(OCoLC)fst01356082
650 7 $aSonnets, English.$2fast$0(OCoLC)fst01126634
650 7 $aSonett$2gnd
650 17 $aSonnetten.$2gtt
600 17 $aShakespeare, William,$d1564-1616.$tSonnets.$2nli
650 7 $aSonnets, English$xHistory and criticism.$2nli
600 17 $aShakespeare, William.$2swd
655 0 $aCompact discs.
655 4 $aBooks with discs.
655 7 $aSound recordings.$2fast$0(OCoLC)fst01411639
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aSound recordings.$2lcgft
776 08 $iOnline version:$aVendler, Helen, 1933-$tArt of Shakespeare's sonnets.$dCambridge, Mass. : Belknap Press of Harvard University Press, 1997$w(OCoLC)605390989
776 08 $iOnline version:$aVendler, Helen, 1933-$tArt of Shakespeare's sonnets.$dCambridge, Mass. : Belknap Press of Harvard University Press, 1997$w(OCoLC)607643968
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938 $aYBP Library Services$bYANK$n1381992
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948 $hHELD BY P4A - 1641 OTHER HOLDINGS