| Record ID | ia:ashorehere0000rile_u9h7 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/ashorehere0000rile_u9h7/ashorehere0000rile_u9h7_marc.xml |
| Download MARC binary | https://www.archive.org/download/ashorehere0000rile_u9h7/ashorehere0000rile_u9h7_meta.mrc |
LEADER: 01295cam 2200301M 4500
001 ocn779977127
003 OCoLC
005 20211011221500.0
008 120313s2008 xx 000 0 eng d
040 $aPOETS$beng$cPOETS$dOCLCQ$dYDXCP$dSRU$dOCLCO$dOCLCF
020 $a9781596610903
020 $a1596610905
035 $a(OCoLC)779977127
050 4 $aPS3568.I37962$bA827 2008
100 1 $aRiley, Michael D.
245 10 $aAshore Here.
260 $a[Place of publication not identified] :$bMarch Street Press,$c2008.
300 $a47 pages
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aIn Michael D. Riley's Ashore Here, here is the point where ocean and sand, both in flux, meet, and then, shifting, meet again. On the beach at Cape May or Ocean City, the poet meditates, physically and spiritually suspended between the timeless cycles of ocean and the very much timed and created world he inhabits for merely his lifetime. --Andrew Hudgins, author of After the Lost War and Ecstatic in the Poison.
585 $a2009.
650 0 $aPoetry.
650 7 $aPoetry.$2fast$0(OCoLC)fst01067691
938 $aYBP Library Services$bYANK$n8453517
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 3 OTHER HOLDINGS