MARC record from Internet Archive

LEADER: 03408cam a2200625 i 4500
001 ocn814982221
003 OCoLC
005 20191109071406.2
008 121016s2013 nyua b 001 0 eng
010 $a 2012042281
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dUKMGB$dCDX$dBWX$dTDF$dVP@$dCOO$dPUL$dYUS$dOCP$dORZ$dRST$dOCLCF$dOCLCQ$dWEX$dRB0$dOCLCQ$dS3O$dNGRPY$dSFR$dOCLCQ
015 $aGBB338754$2bnb
016 7 $a016320774$2Uk
016 7 $a016385138$2Uk
020 $a9780199832583$q(hardcover ;$qalk. paper)
020 $a0199832587$q(hardcover ;$qalk. paper)
020 $a9780199832606$q(pbk. ;$qalk. paper)
020 $a0199832609$q(pbk. ;$qalk. paper)
024 8 $a40022473606
029 1 $aAU@$b000051622866
029 1 $aNLGGC$b383007178
029 1 $aNZ1$b14942877
029 1 $aNZ1$b1611746
029 1 $aNLNZL$b9916117463502836
029 1 $aUKMGB$b016320774
035 $a(OCoLC)814982221
037 $bOxford Univ Pr, 2001 Evans rd, Cary, NC, USA, 27513$nSAN 202-5892
042 $apcc
050 00 $aML3528.7$b.R44 2013
082 00 $a781.64809$223
049 $aMAIN
100 1 $aReed, S. Alexander,$eauthor.
245 10 $aAssimilate :$ba critical history of industrial music /$cS. Alexander Reed.
264 1 $aNew York :$bOxford University Press,$c[2013]
300 $axiv, 361 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 321-331), and index.
505 0 $aI. Technology and the preconditions of industrial music. -- Italian futurism -- William S. Burroughs -- Industrial music and art music -- II. Industrial geography. -- Northern England -- Berlin -- San Francisco -- Mail art, tape technology, and the network -- III. Industrial musical style. -- The tyranny of the beat : dance music and identity crisis -- "After cease to exist" : England 1981-1985 -- Body to body : Belgian EBM 1981-1985 -- Industrial music as a theater of cruelty -- "She's a sleeping beast" : Skinny Puppy and the feminine gothic -- IV. Industrial politics. -- Back and forth : industrial music and fascism -- White souls in black suits : industrial music and race -- V. People and industrial music. -- Wild planet : WaxTrax! Records and global dance scenes -- Q: Why do we act like machines? A: We do not. -- Death -- Wonder -- Suture : from the author's diary -- Postscript.
520 $aMore extreme than punk, industrial music revolted against the very ideas of order and reason. This book traces industrial music's attitudes and practices from their earliest articulations-a hundred years ago-through the genre's mid-1970s formation and beyond.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aIndustrial music$xHistory and criticism.
650 7 $aIndustrial music.$2fast$0(OCoLC)fst00971386
650 7 $aIndustrimusik.$2sao
650 7 $aElektronisk musik.$2sao
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aBrodart$bBROD$n103935568
938 $aBaker and Taylor$bBTCP$nBK0012471090
938 $aCoutts Information Services$bCOUT$n24128824
938 $aTheodore Front Musical Literature$bTFRT$nTF340760
938 $aYBP Library Services$bYANK$n9930970
994 $a92$bERR
976 $a31927002067129