MARC record from Internet Archive

LEADER: 03637cam 2200553 i 4500
001 ocn981546961
003 OCoLC
005 20220303121919.0
008 170517s2017 ne a b 001 0 eng d
007 ta
010 $a 2017445407
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016 7 $a018641900$2Uk
019 $a972385467$a972455405$a972590369$a972801613$a972993936$a973086404$a973324066$a981898692
020 $a9789492095282$q(paperback)
020 $a9492095289$q(paperback)
035 $a(OCoLC)981546961$z(OCoLC)972385467$z(OCoLC)972455405$z(OCoLC)972590369$z(OCoLC)972801613$z(OCoLC)972993936$z(OCoLC)973086404$z(OCoLC)973324066$z(OCoLC)981898692
042 $alccopycat
050 00 $aN72.S6$bB45 2017
082 04 $a700.411
245 00 $aBeing public :$bhow art creates the public /$cJeroen Boomgaard & Rogier Brom (eds.).
264 1 $aAmsterdam :$bValiz :$bLAPS, Research Institute for Art and Public Space :$bGerrit Rietveld Academie,$c2017.
300 $a200 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aMaking Public
504 $aIncludes bibliographical references and index.
505 00 $tHigh expectations, higher thresholds /$rMaaike Lauwaert --$tPublic as practice /$rJeroen Boomgaard --$tOn not falling in line, or how to become a public /$rRogier Brom --$tDissonances and the public domain: an interview with Gabriel Lester /$rJeroen Boomgaard & Rogier Brom --$tThe blind spot: art and politics in the Netherlands /$rSteven ten Thije --$tArt as encounter /$rAnke Coumans --$tCrisis, art and their multiple audiences: from Embros Theatre to IDAMM /$rEva Fotiadi --$tDoes the tragedy of the commons repeat itself as a tragedy of the public domain? /$rFlorian Cramer --$tMiscommunicating publics /$rBarbara Neves Alves.
520 $a"Being Public' is an anthology of essays investigating, from different perspectives, the notion of 'public'. 'Public' is one of the most issued categories in current debates on culture, yet the notion itself remains largely un-reflected. The meaning of both 'art publics' and 'public space' have become complex in a time where boundaries between public and private are shifting, and where 'the public' actually comprises different groups of changing composition and identity. What does it mean to be public today? And what is the role of art in constituting both 'public space' as well as 'a public'? Taking these questions as a starting point, the book aims to create a better understanding of the relationships between art and the notion of the public."--Back cover.
650 0 $aArt and society.
650 0 $aPublic art.
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aPublic art.$2fast$0(OCoLC)fst01082064
650 7 $a20.11 art collecting.$0(NL-LeOCL)077593758$2bcl
650 7 $a20.10 art and society: general.$0(NL-LeOCL)07759374X$2bcl
700 1 $aBoomgaard, Jeroen,$eeditor.
700 1 $aBrom, Rogier,$d1982-$eeditor.
830 0 $aMaking Public
938 $aBrodart$bBROD$n119386143
938 $aBaker and Taylor$bBTCP$nBK0020343502
938 $aErasmus Boekhandel$bERAA$nNTS0000248907
938 $aOtto Harrassowitz$bHARR$nhar175024673
938 $aYBP Library Services$bYANK$n13496919
029 1 $aAU@$b000060680766
029 1 $aUKMGB$b018641900
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 108 OTHER HOLDINGS