MARC record from Internet Archive

LEADER: 01834cam 2200373 a 4500
001 9919580670001661
005 20150423121420.0
008 100419s2011 inua bq 001 0 eng
010 $a 2010015343
020 $a9780253355461 (cloth : alk. paper)
020 $a025335546X (cloth : alk. paper)
020 $a9780253222527 (pbk. : alk. paper)
020 $a0253222524 (pbk. : alk. paper)
035 $a(CSdNU)u420840-01national_inst
035 $a(OCoLC)491950917
035 $a(OCoLC)491950917
035 $a(OCoLC)491950917
040 $aDLC$cDLC$dYDX$dBTCTA$dYDXCP$dUKM
049 $aCNUM
050 00 $aPN1995.7$b.K47 2011
082 00 $a791.4302/4$222
100 1 $aKerins, Mark.
245 10 $aBeyond Dolby (stereo) :$bcinema in the digital sound age /$cMark Kerins.
260 $aBloomington :$bIndiana University Press,$cc2011.
300 $aix, 378 p. :$bill ;$c24 cm.
504 $aIncludes bibliographical references, filmography and index.
505 0 $aIntroduction -- Production and style. Cinema's hidden multi-channel history and the origins of digital surround -- The sound of 5.1 : aural aesthetics -- The look of 5.1 : visual aesthetics -- Decoding the digital surround style -- Using the digital surround style -- Analysis. Studying multi-channel soundtracks -- Studying image/sound interactions -- Theory. Body and voice -- Apparatus theory -- The real and the symbolic -- Conclusion : media and media studies in the digital surround age.
650 0 $aSound motion pictures.
650 0 $aSound$xRecording and reproduction$xDigital technique.
650 0 $aComputer sound processing.
947 $fCOLS-LIT$hCIRCSTACKS$p$23.70$q1
949 $aPN1995.7 .K47 2011$i31786102521967
994 $a92$bCNU
999 $aPN 1995.7 .K47 2011$wLC$c1$i31786102521967$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u1/6/2011