MARC record from Internet Archive

LEADER: 06310cam 2200973 a 4500
001 ocn273821340
003 OCoLC
005 20220208111132.0
008 081103s2009 ohua b 001 0 eng
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020 $a9780814211007$q(cloth ;$qalk. paper)
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043 $an-us---
050 00 $aML1711$b.S46 2009
082 00 $a792.6089/96073$222
100 1 $aSeniors, Paula Marie.
245 10 $aBeyond Lift every voice and sing :$bthe culture of uplift, identity, and politics in black musical theater /$cPaula Marie Seniors.
260 $aColumbus :$bOhio State University Press,$c©2009.
300 $axv, 292 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBlack performance and cultural criticism
504 $aIncludes bibliographical references (pages 235-270) and index.
520 $aPaula Marie Seniors's Beyond Lift Every Voice and Sing explores the realities of African American life and history as refracted through the musical theater productions of one of the most prolific black song-writing teams of the early twentieth century. James Weldon Johnson, J. Rosamond Johnson, and Bob Cole combined conservative and progressive ideas in a complex and historically specific strategy for overcoming racism and its effects. In Shoo Fly Regiment (1906-1908) and The Red Moon (1908-1910), theater, uplift, and politics collided as the team tried to communicate a politics of uplift, racial pride, gender equality, and interethnic coalitions. The overarching question of this study is how roles and representations in black musical theater both reflected and challenged the dominant social order. While some scholars dismiss the team as conformists, Seniors's contention is that they used the very tools of hegemony to make progressive political statements and to create a distinctly black theater informed by black politics, history, and culture. These men were writers, musicians, actors, and vaudevillians who strove to change the perception of African Americans on stage from one of minstrelsy buffoonery to one of dignity and professionalism [Publisher description].
505 0 $aThe origins of the Cole and Johnson musical theater team -- Cole and Johnson's social and political thought : the case of Shoo fly regiment and the Spanish-American war -- Theatrical imaginings : Cole and Johnson's The shoo fly regiment -- The red moon : the interconnections between theater and history, the black and native Americanization program at Hampton Institute -- Cole and Johnson and the Gibson Gal : gender, race and uplift.
506 $aKing's username and password for off-campus access.
600 10 $aJohnson, James Weldon,$d1871-1938.
600 10 $aJohnson, J. Rosamond$q(John Rosamond),$d1873-1954.
600 10 $aCole, Bob,$d1868-1911.
600 17 $aCole, Bob,$d1868-1911.$2fast$0(OCoLC)fst00296928
600 17 $aJohnson, J. Rosamond$q(John Rosamond),$d1873-1954.$2fast$0(OCoLC)fst00180490
600 17 $aJohnson, James Weldon,$d1871-1938.$2fast$0(OCoLC)fst00045815
600 17 $aJohnson, James W.$2idszbz
600 17 $aJohnson, John Rosamond.$2idszbz
600 17 $aCole, Bob.$2idszbz
600 17 $aJohnson, James Weldon.$2swd
600 17 $aJohnson, John Rosamond.$2swd
600 17 $aCole, Bob$cKomponist.$2swd
650 0 $aAfrican Americans in musical theater$xHistory.
650 0 $aMusical theater$zUnited States$xHistory.
650 7 $aAfrican Americans in musical theater.$2fast$0(OCoLC)fst01747045
650 7 $aMusical theater.$2fast$0(OCoLC)fst01030807
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 7 $aMusical.$2idszbz
650 7 $aTheater.$2idszbz
650 7 $aSchwarze.$2idszbz
651 7 $aUSA.$2idszbz
650 07 $aPolitik.$2swd
650 07 $aMusiktheater.$2swd
651 7 $aSchwarze.$2swd
651 7 $aUSA.$2swd
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
773 0 $tACLS Humanities E-Book.$nURL: http://www.humanitiesebook.org/
776 08 $iOnline version:$aSeniors, Paula Marie.$tBeyond Lift every voice and sing.$dColumbus : Ohio State University Press, ©2009$w(OCoLC)671558271
830 0 $aBlack performance and cultural criticism.
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856 41 $zElectronic access restricted; authentication may be required:$uhttps://hdl.handle.net/2027/heb.33224
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