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LEADER: 06370cam 2200997Ka 4500
001 ocn854585609
003 OCoLC
005 20210408024652.0
008 130729s2002 nyua obq 001 0 eng d
006 m o d
007 cr cnu---unuuu
010 $z 2001019672
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020 $a9781135310929$q(electronic bk.)
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020 $z0415930146
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082 04 $a791.43/0954$222
084 $a24.32$2bcl
100 1 $aMishra, Vijay.
245 10 $aBollywood cinema :$btemples of desire /$cVijay Mishra.
260 $aNew York :$bRoutledge,$c2002.
300 $a1 online resource (xxiii, 296 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $adata file$2rda
504 $aIncludes filmography: pages 271-276.
504 $aIncludes bibliographical references (pages 277-286) and index.
505 0 $aCh. 1 Inventing Bombay Cinema -- Ch. 2 Melodramatic Staging -- Ch. 3 The Texts of "Mother India" -- Ch. 4 Auteurship and the Lure of Romance -- Ch. 5 The Actor as Parallel Text: Amitabh Bachchan -- Ch. 6 Segmenting/Analyzing Two Foundational Texts -- Ch. 7 After Ayodhya: The Sublime Object of Fundamentalism -- Ch. 8 Bombay Cinema and Diasporic Desire.
588 0 $aPrint version record.
520 $aIndia is home to Bollywood--and to the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay/Mumbai, the center of Bollywood, producing some 200 of the 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdsa (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora. Persuasively arguing for the centrality of movie-going in the construction of self and community, Bollywood Cinema is an indispensable guide to Indian cinema for both scholars and fans alike.
546 $aEnglish.
650 0 $aMotion pictures$zIndia$zMumbai.
650 7 $aART$xFilm & Video.$2bisacsh
650 7 $aPERFORMING ARTS$xFilm & Video$xReference.$2bisacsh
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aIndia$zMumbai.$2fast$0(OCoLC)fst01802300
650 7 $aBollywood$2gnd
650 17 $aFilmindustrie.$2gtt
650 7 $aMusic, Dance, Drama & Film.$2hilcc
650 7 $aFilm.$2hilcc
655 4 $aElectronic books.
776 08 $iPrint version:$aMishra, Vijay.$tBollywood cinema.$dNew York : Routledge, 2002$z0415930146$w(DLC) 2001019672$w(OCoLC)46618399
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