| Record ID | ia:britishcinemaof10000harp |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/britishcinemaof10000harp/britishcinemaof10000harp_marc.xml |
| Download MARC binary | https://www.archive.org/download/britishcinemaof10000harp/britishcinemaof10000harp_meta.mrc |
LEADER: 01515cam 2200349 a 4500
001 9919771670001661
005 20150423122703.0
008 030520s2003 enka b 001 0 eng
010 $a 2004298465
015 $aGBA3W5952$2bnb
016 7 $a009697825$2Uk
020 $a019815934X
029 1 $aUKM$bbA3W5952
035 $a(CSdNU)u241839-01national_inst
035 $a(OCoLC)52485431
040 $aUKM$cUKM$dDLC$dCUS$dC#P$dYBM
043 $ae-uk---
049 $aCNUM
050 00 $aPN1993.5.G7$bH34 2003
082 04 $a791.43094109045$222
100 1 $aHarper, Sue.
245 10 $aBritish cinema of the 1950s :$bthe decline of deference /$cSue Harper and Vincent Porter.
260 $aOxford :$bOxford University Press,$c2003.
300 $avi, 409 p., [16] p. of plates :$bill. ;$c24 cm.
504 $aIncludes filmography, bibliographical references and index.
505 0 $aThe politics of production finance -- The rank organization -- Ealing studios -- The associated British picture corporation -- British lion -- American-British productions -- Hammer films -- Independent producers -- Outsiders and mavericks -- Visual style -- Censorship -- The cinema audience responds.
650 0 $aMotion pictures$zGreat Britain$xHistory.
650 0 $aMotion picture industry$zGreat Britain$xHistory.
700 1 $aPorter, Vincent.
949 $aPN 1993.5.G7 H34 2003$i31786101912563
994 $a92$bCNU
999 $aPN 1993.5 .G7 H34 2003$wLC$c1$i31786101912563$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u3/8/2005