MARC record from Internet Archive

LEADER: 04942cam a2200733Ii 4500
001 ocn974677472
003 OCoLC
005 20171219142642.0
008 170305t20172017nyub 000 j eng d
010 $a2017936216
020 $a9781617755224 (paperback)
020 $a1617755222 (paperback)
035 $a(OCoLC)974677472
037 $aBRO-adap20171122-147
040 $aBTCTA$beng$erda$cBTCTA$dYDX$dBDX$dGZD$dORX$dSRC$dNYP$dSFR$dUtOrBLW
041 1 $aeng$hspa
043 $as-ag---
049 $aSFRA
082 04 $a863.087208982$223
092 $aM$bBUENOS A
245 00 $aBuenos Aires noir /$cedited by Ernesto Mallo ; translated by John Washington & M. Cristina Lambert.
264 1 $aBrooklyn, New York :$bAkashic Books,$c[2017]
264 4 $c©2017
300 $a219 pages :$bmap ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAkashic noir series
505 00 $gPart I. How to get away with...$tThe dead wife /$rInés Garland --$tCrochet /$rInés Fernández Moreno --$tEx Officio /$rAriel Magnus --$tFury of the worm /$rAlejandro Parisi --$gPart II: Crimes? or Misdemeanors?$tA face in the crowd /$rPablo De Santis --$tOrange is a pretty color /$rVerónica Abdala --$tChameleon and the lions /$rAlejandro Soifer --$gPart III: Imperfect crimes.$tThe golden eleventh /$rGabriela Cabezón Cámara --$tEternal love /$rErnesto Mallo --$tYou've spoken my name /$rEnzo Maqueira --$tThree rooms and a patio /$rElsa Osorio --$gPart IV. Revenge.$tThe excluded /$rLeandro Ávalos Blacha --$tDeath and the crime /$rClaudia Píneiro --$tFeel the burn /$rMaría Inés Krimer.
520 $a"Buenos Aires: city of contrasts, contradictions; always on the edge of chaos; in love with its own disorder despite the crude, transitory violence, the lack of law and order, the ubiquitously hurled insult, the thunderous boom of traffic, and honking, hurled curses. Its inhabitants love/hate the city. In the language of the port-dwellers, irony is currency. The multimillionaires of Puerto Madero deal in this irony with as fluently as the workers in the "misery cities," which is what we call the poorest neighborhoods of Buenos Aires. This shared language comes from the mansions and the shanties that are built side by side, separate by nothing but a single street or railroad track--contradiction within eyesight. In the stories that make up this volume we glimpse what Buenos Aires really is: distinctive points of view, as well as the narrative potential of a city that has reinvented itself many times over. This collection highlights the relations between the social and economic classes--from their tensions, from their cruelties, and also from their love. Deep inside, inhabitants of Buenos Aires live this contradiction."--page 13.
650 0 $aShort stories, Spanish$vTranslations into English.
655 0 $aNoir fiction, Argentine.
655 0 $aDetective and mystery stories, Argentine.
655 0 $aShort stories, Argentine.
655 7 $aShort stories.$2gsafd
655 7 $aMystery fiction.$2gsafd
700 1 $aWashington, John$c(Translator),$etranslator.
700 1 $aLambert, M. Cristina,$etranslator.
700 12 $aMallo, Ernesto,$d1948-$tEternal love.
700 12 $aGarland, Inés,$d1960-$tDead wife.
700 12 $aFernández Moreno, Inés,$d1947-$tCrochet.
700 12 $aMagnus, Ariel,$d1975-$tEx Officio.
700 12 $aParisi, Alejandro,$d1976-$tFury of the worm.
700 12 $aSantis, Pablo de,$d1963-$tA face in the crowd.
700 12 $aAbdala, Verónica.$tOrange is a pretty color.
700 12 $aSoifer, Alejandro,$d1983-$tChameleon and the lions.
700 12 $aCabezón Cámara, Gabriela,$d1968-$tGolden eleventh.
700 12 $aMaqueira, Enzo.$tYou've spoken my name.
700 12 $aOsorio, Elsa,$d1949-$tThree rooms and a patio.
700 12 $aÁvalos Blacha, Leandro,$d1980-$tExcluded.
700 12 $aPiñeiro, Claudia,$d1960-$tDeath and the crime.
700 12 $aKrimer, María Inés,$d1951-$tFeel the burn.
830 0 $aAkashic noir series.
907 $a.b34603724$b01-16-18$c10-25-17
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975 $aSFR
980 $a1117
994 $aC0$bSFR
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