MARC record from Internet Archive

LEADER: 04515cam a2200685 a 4500
001 ocm46315092
003 OCoLC
005 20191109073328.9
008 010213s2001 mnua b 001 0 eng
010 $a 2001001010
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020 $a0816636370$q(acid-free paper)
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020 $a9780816636389$q(pbk. ;$qacid-free paper)
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035 $a(OCoLC)46315092$z(OCoLC)494605307$z(OCoLC)779891109$z(OCoLC)1001040806$z(OCoLC)1022688030
050 00 $aPN1995.2$b.R66 2001
082 00 $a791.43/658$221
084 $a24.31$2bcl
049 $aMAIN
100 1 $aRosen, Philip.
245 10 $aChange mummified :$bcinema, historicity, theory /$cPhilip Rosen.
260 $aMinneapolis :$bUniversity of Minnesota Press,$c©2001.
300 $axxv, 444 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 361-434) and index.
505 00 $gpt. I.$tFrom Film to Historicity.$g1.$tSubject, Ontology, and Historicity in Bazin.$g2.$tEntering History: Preservation and Restoration.$g3.$tOnce upon a Time in the West --$gpt. II.$tFrom Historicity to Film: Case Studies.$g4.$tDetail, Document, and Diegesis in Mainstream Film.$g5.$tDisjunction and Ideology in a Preclassical Film: A Policeman's Tour of the World.$g6.$tDocument and Documentary: On the Persistence of Historical Concepts.$g7.$tToward a Radical Historicity: Making a Nation in Sembene's Ceddo.$g8.$tOld and New: Image, Indexicality, and Historicity in the Digital Utopia.
520 $aExploring the modern category of history in relation to film theory, film textuality, and film history, this book argues for the centrality of historicity to film as well as the special importance of film in historical culture. What do we make of the concern for recovering the past that is consistently manifested in so many influential modes of cinema, from Hollywood to documentary and postcolonial film? How is film related to the many modern practices that define themselves as configuring pastness in the present, such as architectural preservation, theme parks, and, above all, professional historical research? What is the relation of history in film to other media such as television and digital imaging? How does emphasizing the connection between film and modern historicity affect the theorization and historicization of film and modern media culture? Rosen reconceptualizes modern historicity as a combination of characteristic epistemological structures on the one hand, and the social imperative to regulate or manage time on the other. Emphasizing a fundamental constellation of pursuit of the real, indexical signification and the need to control time, he interrogates a spectrum of film theory and film texts. His argument refocuses the category of temporality for film and cultural theory while rethinking the importance of historicity.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aMotion pictures and history.
650 0 $aMotion pictures$xPhilosophy.
650 6 $aCinéma et histoire.
650 6 $aCinéma$xPhilosophie.
650 7 $aMotion pictures and history.$2fast$0(OCoLC)fst01027408
650 7 $aMotion pictures$xPhilosophy.$2fast$0(OCoLC)fst01027348
650 17 $aFilmkunst.$2gtt
650 17 $aFilmtheorie.$2gtt
650 7 $aCinéma$xHistoire.$2ram
650 7 $aCinema$xPhilosophie.$2ram
650 07 $aFilm.$2swd
650 07 $aFilmtheorie.$2swd
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/fy035/2001001010.html
938 $aBaker & Taylor$bBKTY$c79.50$d79.50$i0816636370$n0003651306$sactive
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938 $aBaker and Taylor$bBTCP$n2001001010
938 $aYBP Library Services$bYANK$n1748403
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