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LEADER: 03863cam 2200673 a 4500
001 ocm28488516
003 OCoLC
005 20190617060146.0
008 930722s1993 flua bc 000 0 eng d
010 $a 95234281
040 $aWAU$beng$cDLC$dWAU$dMRY$dBAKER$dBTCTA$dYDXCP$dGZM$dNSB$dOCLCF$dOCL$dOCLCQ$dWLU$dTFW$dOCLCO$dAVA$dNMC$dOCLCQ$dZ5U$dUKMGB$dOCLCQ$dUKNRU$dCSA
016 7 $a009801693$2Uk
019 $a1008109712$a1010864766
020 $a0933053061
020 $a9780933053069
035 $a(OCoLC)28488516$z(OCoLC)1008109712$z(OCoLC)1010864766
042 $alccopycat
043 $an-us---
050 00 $aNK5198.C43$bA4 1993
082 04 $a748.092$bC43 1993
100 1 $aChihuly, Dale,$d1941-
245 10 $aChihuly :$bform from fire /$cessays by Walter Darby Bannard, Henry Geldzahler.
260 $aDaytona Beach :$bMuseum of Arts and Sciences ;$a[Seattle] :$bUniversity of Washington Press,$c℗♭1993.
300 $a142 pages :$bchiefly color illustrations ;$c32 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 0 $aUniversity of Washington Press
500 $aExhibition held at Lowe Art Museum, University of Miami, Coral Gables, Fla., Jan. 28-Mar. 28, 1993, and at other museums at later dates.
504 $aIncludes bibliographical references (pages 138-142).
520 $a"Chihuly's originality lies in his refusal to believe that there are fixed rules that must be adhered to," wrote the late Henry Geldzahler, former curator of contemporary art of New York's Metropolitan Museum, in his essay for this work. Accompanying the artist's traveling retrospective, the book documents 10 of Chihuly's rule breaking series from the Baskets, begun in the late 1970s, through the Pilchuck Stumps of 1992. Painter and art critic Walter Darby Bannard introduces the volume, which is more inclusive than a typical exhibition catalog, with a personal response to Chihuly and his glass. Seventy-five full-color reproductions and commentary on the individual series by the artist and noted authorities provide a visual and verbal overview of the artist's career. With listings of selected museum and public collections and permanent installations as well as an extensive bibliography, this book offers a definitive look at "Chihuly As of 1993," as Geldzahler titled his provocative essay in which he asserts that Chihuly "does go over the top at times."
600 10 $aChihuly, Dale,$d1941-$vExhibitions.
600 17 $aChihuly, Dale,$d1941-$2fast$0(OCoLC)fst00021244
600 14 $aChihuly, Dale,$d1941-
650 0 $aGlass art$zUnited States$xHistory$y20th century$vExhibitions.
650 7 $aGlass art.$2fast$0(OCoLC)fst00943068
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aExhibition catalogs.$2lcgft
655 4 $aExhibition catalogues.
700 1 $aBannard, Walter Darby,$d1934-2016.
700 1 $aGeldzahler, Henry.
710 2 $aLowe Art Museum.
710 2 $aMuseum of Arts and Sciences (Daytona Beach, Fla.)
740 0 $aForm from fire.
776 08 $iOnline version:$aChihuly, Dale, 1941-$tChihuly.$dDaytona Beach : Museum of Arts and Sciences ; [Seattle] : University of Washington Press, ℗♭1993$w(OCoLC)621907521
938 $aBaker & Taylor$bBKTY$c40.00$d30.00$i0933053061$n0002342428$sactive
938 $aBaker and Taylor$bBTCP$n95234281
938 $aYBP Library Services$bYANK$n1100959
029 1 $aAU@$b000010456577
029 1 $aNLGGC$b125636202
029 1 $aNZ1$b4540038
029 1 $aUNITY$b087353571
029 1 $aYDXCP$b1100959
029 1 $aUKMGB$b009801693
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 703 OTHER HOLDINGS