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MARC record from Internet Archive

LEADER: 02274cam a2200433 i 4500
001 ocm00383720
003 OCoLC
005 20191109072002.3
008 090811s1965 nyuag 001 0 engd
010 $a 64023079
040 $aDLC$beng$cDLC$dCSU$dSER$dMUQ$dWY@$dLS1$dEZU$dOCLCO$dOCLCQ$dOCLCF$dERR$dQE2$dOCLCQ
020 $a0029286301
020 $a9780029286302
029 1 $aAU@$b000006868336
029 1 $aAU@$b000010208854
035 $a(OCoLC)00383720
050 00 $aMT50.S557$bC5
082 04 $a781.2
049 $aMAIN
100 1 $aShir-Cliff, Justine.
245 10 $aChromatic harmony /$cJustine Shir-Cliff, Stephen Jay, Donald J. Rauscher.
260 $aNew York :$bFree Press,$c[1965]
300 $a200 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aIncludes indexes.
505 0 $aPreface -- To the teacher -- Chromaticism -- The chromatic dominant seventh chord -- Inversions of the chromatic dominant seventh chord -- Consecutive chromatic dominants -- The chromatic dominant seventh chord: evaded resolution -- The minor mode in major keys -- The Neapolitan sixth -- The diminished seventh chord: leading tone root -- The chromatic half-diminished seventh chord -- The diminished seventh seventh chord: evaded resolution -- Non-harmonic tones, modulation, and harmonic rhythm in chromatic music -- The augmented sixth chords: the Italian sixth -- The German sixth -- The French sixth -- Augmented dominants -- Augmented sixth chords: variants -- Altered chords --Parallelism -- Mediant relationships -- Tritone root relationships -- Stepwise root relationships -- Expanded chords --Harmonic sequence -- Melodic harmony -- Twelve tone tonality-- Conclusion -- Appendix: Popular music.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aHarmony.
650 0 $aChromaticism.
650 6 $aHarmonie.
650 7 $aHarmony.$2fast$0(OCoLC)fst00951531
700 1 $aJay, Stephen,$eauthor.
700 1 $aRauscher, Donald J.,$eauthor.
776 08 $iOnline version:$aShir-Cliff, Justine.$tChromatic harmony.$dNew York : Free Press [1965]$w(OCoLC)904030457
994 $a92$bERR
976 $a31927002066709