MARC record from Internet Archive

LEADER: 01930cam a22004094a 4500
001 2011027163
003 DLC
005 20150723101442.0
008 110715s2012 txu b s001 0 eng
010 $a 2011027163
015 $aGBB209163$2bnb
016 7 $a016019508$2Uk
020 $a9780292728615 (cloth : alk. paper)
020 $a0292728611 (cloth : alk. paper)
020 $a9780292737075 (e-book)
020 $a0292737076 (e-book)
035 $a(OCoLC)ocn747947256
040 $aDLC$beng$cDLC$dYDX$dBTCTA$dIXA$dYDXCP$dUKMGB$dBDX$dBWX$dDLC
042 $apcc
043 $an-us---
050 00 $aPN1995.9.S68$bJ46 2012
082 00 $a791.43/6581$223
100 1 $aJenkins, Tricia.
245 14 $aThe CIA in Hollywood :$bhow the agency shapes film and television /$cTricia Jenkins.
246 3 $aCentral Intelligence Agency in Hollywood
250 $a1st ed.
260 $aAustin :$bUniversity of Texas Press,$c2012.
300 $a167 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction -- Rogues, assassins, and buffoons: representations of the CIA in film and television -- Opening the doors: why and how the CIA works with Hollywood -- Necessary and competent: the CIA in the agency and in the company of spies -- The Chase Brandon years -- The legal and ethical implications of the CIA in Hollywood -- The last people we want in Hollywood: the retired CIA officer and the Hollywood docudrama -- Conclusion.
650 0 $aSpy films$zUnited States$xHistory and criticism.
610 10 $aUnited States.$bCentral Intelligence Agency$xIn motion pictures.
650 0 $aEspionage in motion pictures.
650 0 $aMotion pictures$xPolitical aspects$zUnited States.
650 0 $aMotion picture industry$zUnited States.
650 0 $aSpy television programs$zUnited States$xHistory and criticism.
610 10 $aUnited States.$bCentral Intelligence Agency$xInfluence.