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LEADER: 03932cam 2200733 i 4500
001 ocm04665023
003 OCoLC
005 20101018114918.0
008 790201s1979 msuaf b 001 0 eng
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050 00 $aPN1993.5.F7$bT47
082 00 $a791.43/0944
100 1 $aThiher, Allen,$d1941-
245 14 $aThe cinematic muse :$bcritical studies in the history of French cinema /$cAllen Thiher.
260 $aColumbia :$bUniversity of Missouri Press,$c1979.
300 $avi, 216 p., [8] leaves of plates :$bill. ;$c23 cm.
504 $aBibliography: p. 207-214.
500 $aIncludes index.
505 00 $g[1.]$tThe avant-garde:$tThe impressionist avant-garde --$tSurrealism's enduring bite: Un Chien andalou --$tThe surrealist film: Man Ray and the limits of metaphor --$tLe Sang d'un Poéte: film as orphism --$g[2.]$tIn the wake of surrealism:$tFrom Entr'acte to a Nous la Liberté: René Clair and the order of farce --$tVigo's Zéro de conduite: surrealism and the myth of childhood --$g[3.]$tFilm and society:$tJean Renoir and the mimesis of history --$tPrévert and Carné's Le Jour se lève: proletarian tragedy --$g[4.]$tExistentialist moment:$tBresson's Un condamné à mort: the semiotics of grace --$tThe existential play in Truffaut's early films --$g[5.]$tPostmodernism:$tL'Année dernière a Marienbad: the narration of narration --$tPostmodern dilemmas: Godard's Alphaville and Deux ou trois choses que je sias d'elle --$gAfterword:$tIs film a language?
650 0 $aMotion pictures$zFrance.
650 0 $aMotion picture plays, French$xHistory and criticism.
650 17 $aFilmkunst.$2gtt
650 6 $aCinéma$zFrance.
650 6 $aCinéma$vScénarios$xHistoire et critique.
648 7 $aGeschichte 1928-1970$2swd
650 07 $aFilm$2swd
651 7 $aFrankreich$2swd
776 08 $iOnline version:$aThiher, Allen, 1941-$tCinematic muse.$dColumbia : University of Missouri Press, 1979$w(OCoLC)637113777
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