Record ID | ia:classicalhollywo0000bord_t3f2 |
Source | Internet Archive |
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LEADER: 05276cam 2200721 a 4500
001 ocm11623662
003 OCoLC
005 20220718093112.0
008 850104s1985 nyuaf b 001 0 eng
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050 00 $aPN1993.5.U6$bB655 1985
082 00 $a791.43/0973$219
084 $a24.32$2bcl
084 $a49$2sdnb
100 1 $aBordwell, David.
245 14 $aThe classical Hollywood cinema :$bfilm style & mode of production to 1960 /$cDavid Bordwell, Janet Staiger, and Kristin Thompson.
260 $aNew York :$bColumbia University Press,$c1985.
300 $axv, 506 pages, [128] pages of plates :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 480-491) and index.
505 00 $tpt. 1. The classical Hollywood style, 1917-60 /$rDavid Bordwell.$tAn excessively obvious cinema.$tStory causality and motivation.$tClassical narration.$tTime in the classical film.$tSpace in the classical film.$tShot and scene.$tThe bounds of difference --$tpt. 2. The Hollywood mode of production to 1930 /$rJanet Staiger.$tThe Hollywood mode of production: its conditions of existence.$tStandardization and differentiation: the reinforcement and dispersion of Hollywood's practices.$tThe director system: management in the first years.$tThe director-unit system: management of multiple-unit companies after 1909.$tThe central producer system: centralized management after 1914.$tThe division and order of production: the subdivision of work from the first years through the 1920s --$tpt. 3. The formulation of the classical style, 1909-28 /$rKristin Thompson.$tFrom primitive to classical.$tThe formulation of the classical narrative.$tThe continuity system.$tClassical narrative space and the spectator's attention.$tThe stability of the classical approach after 1917 --$tpt. 4. Film style and technology to 1930.$tTechnology, style and mode of production /$rDavid Bordwell and Janet Staiger.$tInitial standardization of the basic technology /$rKristin Thompson.$tMajor technological changes of the 1920s /$rKristin Thompson.$tThe Mazda tests of 1928 /$rDavid Bordwell.$tThe introduction of sound /$rDavid Bordwell --$tpt. 5. The Hollywood mode of production, 1930-60 /$rJanet Staiger.$tThe labor-force, financing and the mode of production.$tThe producer-unit system: management by specialization after 1931.$tThe package-unit system: unit management after 1955 --$tpt. 6. Film style and technology, 1930-60 /$rDavid Bordwell.$tDeep-focus cinematography.$tTechnicolor.$tWidescreen processes and stereophonic sound --$tpt. 7. Historical implications of the classical Hollywood cinema /$rDavid Bordwell and Janet Staiger.$tSince 1960: the persistence of a mode of film practice.$tAlternative modes of film practice --$tEnvoi.
520 $aAn overview of American studio filmmaking that examines its distinct mode of film practice, in both production and style, from 1917 through 1960.
650 0 $aMotion pictures$zUnited States$xHistory.
650 0 $aMotion picture industry$zUnited States$xHistory.
650 0 $aMotion pictures$xAesthetics.
650 6 $aCinéma$zÉtats-Unis$xHistoire.
650 6 $aCinéma$xIndustrie$zÉtats-Unis$xHistoire.
650 6 $aCinéma$xEsthétique.
650 7 $aMotion picture industry.$2fast$0(OCoLC)fst01027150
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
653 0 $aGeschichte$a1917-1960
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aStaiger, Janet.
700 1 $aThompson, Kristin,$d1950-
856 41 $3Table of contents gbv.de$uhttp://www.gbv.de/dms/bowker/toc/9780231060547.pdf
856 41 $uhttp://www.myilibrary.com?id=5910$zConnect to MyiLibrary resource$zRutgers restricted.
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