MARC record from Internet Archive

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003 OCoLC
005 20181126215940.0
008 920528s1993 inua b 001 0 eng
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020 $a9780253315502$q(cloth ;$qalk. paper)
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050 00 $aPN1993.5.F7$bC78 1993
082 00 $a791.43/0944/0904$220
084 $a24.32$2bcl
100 1 $aCrisp, C. G.
245 14 $aThe classic French cinema, 1930-1960 /$cColin Crisp.
260 $aBloomington :$bIndiana University Press,$c℗♭1993.
300 $axix, 485 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 453-465) and index.
530 $aAlso issued online.
520 1 $a"The three decades between 1930 and 1960 were one of the most creative periods in the history of cinema. During this era, films achieved a level of great sophistication, and in France this era produced some of the most famous films ever made - Jean Vigo's Zero de conduite. Rene Clair's A nous la liberte, Jean Renoir's Crime de M Lange, and Jean Cocteau's Orphee." "In The Classic French Cinema, 1930-1960, Colin Crisp investigates the critical period from the introduction of sound to the beginning of the New Wave. He details the extraordinary ingenuity of French filmmakers who worked under economic and technological constraints that affected both the production and the consumption of films." "In this comprehensive study, Crisp synthesizes a large body of work on the French cinema, most of it published only in French. At the same time, he radically re-writes aspects of the industrial history of the classic French cinema, shedding new light on its periodization and re-evaluating the extent of German influence on the French film industry's postwar organization. Crisp also reveals the New Wave filmmakers to be the natural heirs of the classic French cinema, rather than a break with the earlier tradition. Fully illustrated with over 50 black-and-white photos from these classic films, plus numerous charts, and figures."--Jacket.
505 00 $g1.$tPolitical Economy and Industrial Structure 1930-1940 --$g2.$tPolitical Economy and Industrial Structure 1940-1960 --$g3.$tPlant and Technology --$g4.$tPersonnel --$g5.$tThe Formation of Audiences --$g6.$tMode of Production and Authorial Control --$g7.$tWork Practices and Stylistic Change --$tConclusion: The Classic French Cinema and the New Wave.
650 0 $aMotion pictures$zFrance$xHistory.
650 6 $aCine ma$zFrance$xHistoire.
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
650 17 $aFilmkunst.$2gtt
653 0 $aGeschichte
653 0 $aMotion pictures$aFrance$aHistory
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aCrisp, C.G.$tClassic French cinema, 1930-1960.$dBloomington : Indiana University Press, ℗♭1993$w(OCoLC)621803963
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780253315502.pdf
856 41 $uhttp://www.ric.edu/bookplates/details.php?BP_ID=432$zDigital Bookplate
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948 $hNO HOLDINGS IN P4A - 515 OTHER HOLDINGS