Record ID | ia:composersofnazie0000kate_x2u3 |
Source | Internet Archive |
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100 1 $aKater, Michael H.,$d1937-
245 10 $aComposers of the Nazi era :$beight portraits /$cMichael H. Kater.
260 $aNew York :$bOxford University Press,$c2000.
300 $axiii, 399 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aWerner Egk : the enigmatic opportunist -- Paul Hindemith : the reluctant emigré -- Kurt Weill : a survivor on two continents -- Karl Amadeus Hartmann : the composer as dissident -- Carl Orff : man of legend -- Hans Pfitzner : Magister Teutonicus Miser -- Arnold Schoenberg : musician of contrasts -- Richard Strauss : Jupiter compromised.
520 $aHow does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? Composers of the Nazi Era is the final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), which won the Wallace K. Ferguson Prize of the Canadian Historical Association. Here, historian Michael H. Kater provides a detailed study of the often interrelated careers of eight prominent German composers who lived and worked amid the dictatorship of the Third Reich, or were driven into exile by it: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime--and if so, whether this may be discerned from their music. After chapters discussing the circumstances of each composer individually, Kater concludes with an analysis of the composers' different responses to the Nazi regime and an overview of the sociopolitical background against which they functioned. The final chapter also extends the discussion beyond the end of World War II to examine how the composers reacted to the new and fragile democracy in Germany [Publisher description]
506 $aOnline version licensed for access by U. of T. users.
650 0 $aComposers$zGermany$vBiography.
650 0 $aMusic$zGermany$y20th century$xHistory and criticism.
650 0 $aNational socialism.
650 4 $aNational socialism and music.
650 4 $aComposers$zGermany$xHistory$y20th century.
650 4 $aMusic and state$zGermany$xHistory$y20th century.
650 6 $aCompositeurs$zAllemagne$vBiographies.
650 6 $aMusique$zAllemagne$y20e siècle$xHistoire et critique.
650 6 $aNazisme et musique.
650 7 $aComposers.$2fast$0(OCoLC)fst00871620
650 7 $aMusic$2fast$0(OCoLC)fst01030269
650 7 $aNational socialism.$2fast$0(OCoLC)fst01033761
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
650 17 $aComponisten.$2gtt
650 17 $aNationaal-socialisme.$2gtt
650 7 $aComposers$zGermany$vBiography.$2nli
650 7 $aMusic$zGermany$y20th century$xHistory and criticism.$2nli
650 7 $aNational socialism.$2nli
648 7 $a1900-1999$2fast
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aBiographies.$2lcgft
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856 41 $3MyiLibrary$uhttp://www.myilibrary.com?id=45158
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy0605/99013272-t.html
856 41 $3Table of contents$qapplication/pdf$uhttp://digitool.hbz-nrw.de:1801/webclient/DeliveryManager?pid=3188691
856 41 $uhttp://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=808496&T=F
856 41 $uhttp://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=431848&T=F
856 41 $uhttp://site.ebrary.com/lib/stanford/Doc?id=10084759$xeLoaderURL$xeb4$xebebr10084759$zAvailable to Stanford-affiliated users at
856 42 $3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy0724/99013272-b.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0605/99013272-d.html
880 $6500-00/(2/r$aנושא ישן: Composers - Germany - biography.
880 $6500-00/(2/r$aנושא ישן: National socialism.
880 $6500-00/(2/r$aנושא ישן: Music - Germany - 20th century - history and criticism.
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