MARC record from Internet Archive

LEADER: 02202cam 2200481 a 4500
001 ocm21482304
003 OCoLC
005 20200804030147.0
008 900417s1990 fluaf b s001 0 eng
010 $a 90012405
040 $aDLC$beng$cDLC$dBTCTA$dYDXCP$dBAKER$dGEBAY$dUKMGB$dBDX$dOCLCF$dOCLCQ$dGDC$dOCLCQ
016 7 $a012663713$2Uk
020 $a0813010268$q(pbk. ;$qalk. paper)
020 $a9780813010267$q(pbk. ;$qalk. paper)
020 $a0813010144
020 $a9780813010144
035 $a(OCoLC)21482304
050 00 $aNX165$b.F54 1990
082 00 $a700/.1/9$220
100 1 $aFleming, William,$d1909-2001.
245 10 $aConcerts of the arts :$btheir interplay and modes of relationship /$cWilliam Fleming.
260 $aPensacola :$bUniversity of West Florida Press,$c©1990.
300 $axiii, 326 pages, 16 unnumbered pages of plates :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 291-303) and index.
505 0 $aThoughts on cultural historiography -- The creative mind: the psychological mode -- Music and architecture: the analogous mode -- The meaning of the two capitals at Cluny: the iconographical mode -- Michelangelo as poet and philosopher: the personal mode -- Birth and progress of the Baroque: the stylistic mode -- Musical classicism: mode of stylistic synthesis -- Romantic self-revelation: the autobiographical mode -- The space-time continuum and relativistic mode.
650 0 $aArts$xPsychological aspects.
650 7 $aArts$xPsychological aspects.$2fast$0(OCoLC)fst00817796
650 07 $aKünste.$2swd
650 07 $aEinheit.$2swd
938 $aBaker & Taylor$bBKTY$c49.95$d49.95$i0813010144$n0001774653$sactive
938 $aBrodart$bBROD$n42148219$c$39.95
938 $aBaker and Taylor$bBTCP$n90012405
938 $aYBP Library Services$bYANK$n720448
029 1 $aAU@$b000007270292
029 1 $aAU@$b000022477234
029 1 $aGEBAY$b1484368
029 1 $aHEBIS$b016255291
029 1 $aYDXCP$b720437
994 $aZ0$bP4A
948 $hHELD BY P4A - 282 OTHER HOLDINGS