MARC record from Internet Archive

LEADER: 03981cam 2200493 a 4500
001 ocm42061006
003 OCoLC
005 20190110215652.0
008 990719s2000 maua b 001 0 eng
010 $a 99040964
040 $aDLC$beng$cDLC$dUKM$dBTCTA$dYDXCP$dEXW$dTULIB$dOCLCF$dI8M$dOCLCO$dOCLCQ$dCSJ$dCN8BJ$dOCLCQ$dCCH$dOCLCQ
015 $aGBA111153$2bnb
020 $a0240803655$q(pbk. ;$qalk. paper)
020 $a9780240803654$q(pbk. ;$qalk. paper)
035 $a(OCoLC)42061006
050 00 $aPN1992.94$b.D57 2000
082 00 $a791.45/023$221
100 1 $aDiZazzo, Raymond.
245 10 $aCorporate media production /$cRay DiZazzo.
260 $aBoston :$bFocal Press,$c℗♭2000.
300 $axii, 244 pages :$billustrations ;$c28 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (page 233) and index.
505 00 $tThe Corporate Media Evolution --$tThe Changing Role of Corporate Media --$tUses of Media in the Corporate World --$tDistribution and Delivery Systems --$tVideocassettes --$tCorporate Broadcasts --$tDistance Learning --$tCD-ROM, DVD, Streaming Video/Audio --$tInteractivity--A Key --$tThe World Wide Web --$tLocal Area Networks and Intranets --$tCreative Changes? --$tThe Key Players --$tThe Corporate Media Producer --$tStaff and Freelance Producers --$tProducer "Musts" --$tThe Director --$tA Definition --$tThe Director as an Artist --$tNot for the Fainthearted --$tThe Scriptwriter --$tThe Real Differences --$tThe Working Environment --$tThe Research Factor --$tStaff and Freelance Writers --$tClients --$tClient Profiles --$tA Dynamic Relationship --$tMedia Groups in the Corporate World --$tLarge In-House Media Groups --$tAdvantages and Disadvantages --$tSmall In-House Media Groups --$tAdvantages and Disadvantages --$tOutside Production Companies --$tProsumers --$tFreelancers --$tAdvantages and Disadvantages --$tA Production Overview --$tWriting --$tProgram Design --$tScriptwriting --$tPreproduction --$tBudgeting --$tTalent Auditions and Bookings --$tCrew Bookings --$tEquipment Reservations or Rentals --$tLocation and Set Arrangements --$tBlocking, Storyboards, and Diagrams --$tRehearsals and Meetings --$tProduction Scheduling --$tProduction --$tLocation Production --$tStudio Production --$tGraphic Arts Production --$tAudio Production --$tPostproduction --$tThe Traditional Offline Edit --$tThe Traditional Online Edit --$tNonlinear Editing --$tAudio "Sweetening."
520 $a"Corporate Media Production offers students and business managers an in-depth exploration of this exciting field, from the initial script to the final stages of postproduction. This book takes the development process through its logical progression in the everyday business world, capturing all the technical and creative elements used in the creation of media in the corporate sphere. It studies the roles and points of view of the writer, producer, director, and client, and the dynamic relationship these players share."--Jacket.
650 0 $aVideo recordings$xProduction and direction.
650 0 $aIndustrial television.
650 0 $aIndustrial television$xAuthorship.
650 7 $aIndustrial television.$2fast$0(OCoLC)fst00971778
650 7 $aIndustrial television$xAuthorship.$2fast$0(OCoLC)fst00971779
650 7 $aVideo recordings$xProduction and direction.$2fast$0(OCoLC)fst01166496
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/els033/99040964.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/els033/99040964.html
938 $aBaker and Taylor$bBTCP$n99040964
938 $aYBP Library Services$bYANK$n100197054
029 1 $aAU@$b000020573467
029 1 $aHEBIS$b090541170
029 1 $aNZ1$b5316086
029 1 $aUNITY$b042266408
029 1 $aYDXCP$b100197054
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 200 OTHER HOLDINGS