MARC record from Internet Archive

LEADER: 06319cam 2200877 i 4500
001 ocn886381723
003 OCoLC
005 20211118161630.0
008 140722s2015 ncua b 001 0 eng
010 $a 2014028957
040 $aDLC$beng$erda$cDLC$dYDX$dBDX$dBTCTA$dYDXCP$dOCLCF$dIWE$dNYP$dCDX$dZCU$dCOO$dNZAUC$dSFR$dOCLCO$dVFL$dZAC$dOCLCO$dOCL$dOCLCO$dOCLCQ$dOCL$dCLE$dLMR$dOCLCA$dJDP$dUKMGB$dOCLCQ$dSXQ$dZQP
015 $aGBB541903$2bnb
016 7 $a017133448$2Uk
019 $a915751464$a1102199155
020 $a9781469622439$q(cloth ;$qalk. paper)
020 $a1469622432$q(cloth ;$qalk. paper)
020 $a9781469633428$q(paperback)
020 $a1469633426$q(paperback)
020 $a9781469622446$q(ebook)
020 $a1469622440$q(ebook)
035 $a(OCoLC)886381723$z(OCoLC)915751464$z(OCoLC)1102199155
037 $bUniv of North Carolina Pr, C/O Longleaf Services Inc Po Box 8895, Chapel Hill, NC, USA, 27515-8895$nSAN 203-3151
042 $apcc
043 $an-us-tn$an-us-al$an-usu--
050 00 $aML3477$b.H84 2015
082 00 $a781.642089/00976$223
100 1 $aHughes, Charles L.,$d1982-
245 10 $aCountry soul :$bmaking music and making race in the American South /$cCharles L. Hughes.
264 1 $aChapel Hill :$bUniversity of North Carolina Press,$c2015.
300 $a264 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 235-247) and index.
505 0 $aIntroduction : There's a red-neck in the soul band -- We only had this one thing in common : we liked all types of music, the birth of the country-soul triangle -- I got what I got the hard way : the music and mythology of the Memphis sound -- Selling soul : black music and black power in Memphis -- Take the white music and make it sound black : the Muscle Shoals sound in the 1970s -- Pride and prejudice : race and country music in the era of backlash -- The south's gonna do it again : the racial politics of the new southern music of the 1970s -- Disco and down home blues : country and soul at the end of the 1970s -- Coda :On accidental racists : interracial friendship, historical memory, and the country-soul triangle.
520 $a"In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama -- what Charles L. Hughes calls the country-soul triangle. In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period."--Jacket.
650 0 $aPopular music$zAlabama$zMuscle Shoals$y1961-1970$xHistory and criticism.
650 0 $aPopular music$zTennessee$zMemphis$y1961-1970$xHistory and criticism.
650 0 $aPopular music$zTennessee$zNashville$y1961-1970$xHistory and criticism.
650 0 $aPopular music$zAlabama$zMuscle Shoals$y1971-1980$xHistory and criticism.
650 0 $aPopular music$zTennessee$zMemphis$y1971-1980$xHistory and criticism.
650 0 $aPopular music$zTennessee$zNashville$y1971-1980$xHistory and criticism.
650 0 $aSoul music$zAlabama$zMuscle Shoals$xHistory and criticism.
650 0 $aSoul music$zTennessee$zMemphis$xHistory and criticism.
650 0 $aCountry music$zTennessee$zNashville$xHistory and criticism.
650 0 $aPopular music$zSouthern States$xHistory and criticism.
650 0 $aMusic and race$zSouthern States.
651 0 $aMuscle Shoals (Ala.)$xMusic$y20th century$xHistory and criticism.
651 0 $aAlabama$xMusic$y20th century$xHistory and criticism.
651 0 $aMemphis (Tenn.)$xMusic$y20th century$xHistory and criticism.
651 0 $aTennessee$xMusic$y20th century$xHistory and criticism.
651 0 $aNashville (Tenn.)$xMusic$y20th century$xHistory and criticism.
650 7 $aCountry music.$2fast$0(OCoLC)fst00881424
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic and race.$2fast$0(OCoLC)fst01030486
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aSoul music.$2fast$0(OCoLC)fst01126930
651 7 $aAlabama.$2fast$0(OCoLC)fst01204694
651 7 $aAlabama$zMuscle Shoals.$2fast$0(OCoLC)fst01216813
651 7 $aSouthern States.$2fast$0(OCoLC)fst01244550
651 7 $aTennessee.$2fast$0(OCoLC)fst01205353
651 7 $aTennessee$zMemphis.$2fast$0(OCoLC)fst01204194
651 7 $aTennessee$zNashville.$2fast$0(OCoLC)fst01204195
648 7 $a1900-1999$2fast
654 $aMUSIC / Genres & Styles / Country & Bluegrass^MUSIC / Genres & Styles / Soul & R 'n B^SOCIAL SCIENCE / Discrimination & Race Relations.$2BISAC
655 7 $aCriticism, interpretation, etc.$2lcgft
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
938 $aBrodart$bBROD$n111411424
938 $aBaker and Taylor$bBTCP$nBK0015843436
938 $aCoutts Information Services$bCOUT$n29904897
938 $aYBP Library Services$bYANK$n12119120
029 1 $aNZ1$b15948136
029 1 $aAU@$b000053641270
029 1 $aUKMGB$b017133448
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 435 OTHER HOLDINGS