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MARC record from Internet Archive

LEADER: 01950cam a2200409 a 4500
001 8619779
005 20221201063441.0
008 100822s2011 ncu b 001 0 eng c
010 $a 2010035883
020 $a9780822348641 (cloth : alk. paper)
020 $a0822348640 (cloth : alk. paper)
020 $a9780822348757 (pbk. : alk. paper)
020 $a0822348756 (pbk. : alk. paper)
029 1 $aNLGGC$b331512645
035 $a(OCoLC)ocn658200781
035 $a(OCoLC)658200781
035 $a(NNC)8619779
035 $a8619779
040 $aNcD/DLC$cDLC$dYDXCP$dWHE$dNYP$dBWX$dCDX
042 $apcc
043 $an-us---
050 00 $aKF3035$b.M35 2011
082 00 $a346.7304/82$222
100 1 $aMcLeod, Kembrew,$d1970-$0http://id.loc.gov/authorities/names/n00107550
245 10 $aCreative license :$bthe law and culture of digital sampling /$cKembrew McLeod and Peter DiCola ; with Jenny Toomey and Kristin Thomson.
260 $aDurham [NC] :$bDuke University Press,$c2011.
263 $a1103
300 $aix, 325 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
504 $aIncludes bibliographical references and index.
505 0 $aThe golden age of sampling -- A legal and cultural history of sound collage -- The competing interests in sample licensing -- Sampling lawsuits : hip-hop goes to court -- The sample clearance system : how it works (and how it breaks down) -- Consequences for creativity : an assessment of the sample clearance system -- Proposals for reform.
650 0 $aCopyright$xMusic$zUnited States.$0http://id.loc.gov/authorities/subjects/sh2008101743
650 0 $aSampler (Musical instrument)$0http://id.loc.gov/authorities/subjects/sh96011393
650 0 $aPlagiarism in music.$0http://id.loc.gov/authorities/subjects/sh85102581
700 1 $aDiCola, Peter,$d1976-$0http://id.loc.gov/authorities/names/no2010136266
852 00 $boff,glx$hKF3035$i.M35 2011