| Record ID | ia:criticalvisionsi0000unse |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/criticalvisionsi0000unse/criticalvisionsi0000unse_marc.xml |
| Download MARC binary | https://www.archive.org/download/criticalvisionsi0000unse/criticalvisionsi0000unse_meta.mrc |
LEADER: 03978cam 2200685Ii 4500
001 ocn679935687
003 OCoLC
005 20221117131124.0
008 101105t20112011maua b 001 0 eng d
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035 $a(OCoLC)679935687$z(OCoLC)806076351$z(OCoLC)1079392284
050 14 $aPN1995$b.C6897 2011
055 4 $aPN1995$b.C74 2011
082 04 $a791.4301$222
245 00 $aCritical visions in film theory :$bclassic and contemporary readings /$cedited by Timothy Corrigan, University of Pennsylvania, Patricia White, Swarthmore College ; with Meta Mazaj, University of Pennsylvania.
264 1 $aBoston :$bBedford/St. Martin's,$c[2011]
264 4 $c©2011
300 $axxi, 1173 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aThis anthology incorporates fresh perspectives in areas such as perception and reception, film form, modernism and realism, auteur theory, and genre; with sections devoted to sexuality and gender, race and ethnicity, national and transnational film histories, documentary and experimental film, as well as new media. A "Film Pairings" appendix pairs readings with films to show students how to connect and apply film theory to the movies they watch.
505 0 $aPart 1. Experiencing film : from perception to reception -- Part 2. The sights, sounds, and signs of cinema -- Part 3. Modernism and realism : debates in classical film theory -- Part 4. Auteurism : directors, stars, and beyond -- Part 5. Genre : classifying stories -- Part 6. Narrative : telling stories -- Part 7. Alternative modes : experimental and documentary film -- Part 8. Sexuality and gender in cinema : from psychoanalysis to performativity -- Part 9. Race and ethnicity in cinema : from stereotypes to self-representation -- Part 10. National and transnational film histories -- Part 11. Screen cultures : current debates.
650 0 $aMotion pictures$xStudy and teaching.
650 0 $aMotion pictures$xHistory.
650 0 $aFilm criticism.
650 6 $aCritique cinématographique.
650 6 $aCinéma$xHistoire.
650 6 $aCinéma$xÉtude et enseignement.
650 7 $aPerforming Arts.$2eflch
650 7 $aFilm criticism.$2fast$0(OCoLC)fst00924259
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aMotion pictures$xStudy and teaching.$2fast$0(OCoLC)fst01027392
650 7 $aFilm theory$vReader.$2idszbzes
650 7 $0(FrPBN)11936173$aCritique cinématographique.$2ram
650 7 $0(FrPBN)11936118$aCinéma$0(FrPBN)11934444$xHistoire.$2ram
650 7 $0(FrPBN)11936118$aCinéma$0(FrPBN)11975674$xÉtude et enseignement.$2ram
650 7 $aFilmteori.$2sfit
655 7 $aFilm criticism.$2fast$0(OCoLC)fst02025859
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aFilm criticism.$2lcgft
655 7 $aCritiques cinématographiques.$2rvmgf
700 1 $aCorrigan, Timothy,$d1951-
700 1 $aWhite, Patricia,$d1964-
700 1 $aMazaj, Meta,$d1971-
856 41 $3Table of contents$uhttp://www.bedfordstmartins.com/Catalog/product/criticalvisionsinfilmtheory-firstedition-corrigan/tableofcontents#tab
938 $aBaker and Taylor$bBTCP$nBK0009407519
938 $aYBP Library Services$bYANK$n6923464
938 $aBlackwell Book Service$bBBUS$n6923464
029 1 $aAU@$b000048376672
029 1 $aCHBIS$b006233391
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029 1 $aHEBIS$b234254262
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948 $hNO HOLDINGS IN GTX - 247 OTHER HOLDINGS