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LEADER: 05384cam 22005054a 4500
001 ocm41090833
003 OCoLC
005 20100802173945.0
008 990325s2000 caua b 001 0 eng
010 $a 99026895
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035 $a(OCoLC)41090833$z(OCoLC)198839633
042 $apcc
050 00 $aTR642$b.B365 2000
082 00 $a770/.1$221
100 1 $aBarrett, Terry,$d1945-
245 10 $aCriticizing photographs :$ban introduction to understanding images /$cTerry Barrett.
250 $a3rd ed.
260 $aMountain View, Calif. :$bMayfield Pub. Co.,$cc2000.
300 $axiii, 222 p. :$bill. ;$c24 cm.
504 $aIncludes bibliographical references (p. 183-204) and index.
505 00 $gChapter 1.$tAbout Art Criticism --$tDefining Criticism --$tSources of Criticism --$tKinds of Criticism --$tThe Backgrounds of Critics --$tStances Toward Criticism --$tRelations Between Critics and Artists --$tCriticizing Criticism --$tThe Value of Criticism --$gChapter 2.$tDescribing Photographs --$tDefining Description --$tDescriptions of Avedon's "In the American West" --$tDescribing Subject Matter --$tDescribing Form --$tDescribing Medium --$tDescribing Style --$tComparing and Contrasting --$tInternal and External Sources of Information --$tDescription and Interpretation --$tDescription and Evaluation --$tThe Importance of Description to Readers --$gChapter 3.$tInterpreting Photographs --$tDefining Interpretation --$tThe Objects of Interpretations --$tInterpretive Claims and Arguments --$tInterpretive Perspectives --$tThree Interpretations of Eleanor --$tOther Interpretive Strategies --$tCombinations of Interpretive Approaches --$t"Right" Interpretations --$tInterpretations and the Artist's Intent --$tInterpretations and Feelings --$tInterpretation, Meaning, and Personal Significance --$tThe Community of Interpreters --$gChapter 4.$tTypes of Photographs --$tCategories of Photographs --$tNew Categories --$tDescriptive Photographs --$tFxplanatory Photographs --$tInterpretive Photographs --$tEthically Evaluative Photographs --$tAesthetically Evaluative Photographs --$tTheoretical Photographs --$gChapter 5.$tPhotographs and Contexts --$tInternal Context --$tOriginal Context --$tExternal Context --$tExternal Contexts and Connotations --$tInterpreting Barbara Kruger's Untitled ("Surveillance"), with Contextual Information --$t"Surveillance" and Internal Context --$t"Surveillance" and Original Context --$t"Surveillance" and External Context --$tBarbara Kruger's Untitled ("Surveillance"), and the Categories --$tDescriptive Photographs --$tExplanatory Photographs --$tInterpretive Photographs --$tEthically Evaluative PHotographs --$tAesthetically Evaluative Photographs --$tTheoretical Photographs --$tThe Interpretive Process: A Summary --$gChapter 6.$tEvaluating Photographs --$tExamples of Judgments --$tJudgments and Reasons --$tJudgments and Criteria --$tDifferent Criteria --$tRealism --$tExpressionism --$tFormalism --$tInstrumentalism --$tOther Criteria --$tChoosing Among Criteria --$tDiffering Judgments --$tJudgments Are Arguments --$tReappraisals --$tJudgments and Preferences --$tIntentionalism and Judgments --$tThe Objects of Judgments --$tJudgments of Robert Mapplethorpe's Photographs --$tHilton Kramer's and Grace Glueck's Views of Mapplethorpe's Work --$tOther Critics' Views of Mapplethorpe's Work --$gChapter 7.$tTheory: Is It Art? --$tAesthetic Theory --$tTheories and Critics --$tTheories and Photographers --$tTheories and Historians --$tTheories and Curators --$tA Survey of Theoretical Positions --$tRealism and Conventionalism --$tModernism and Postmodernism --$tMarxist Theory and Criticism --$tFeminist Theory and Criticism --$gChapter 8.$tWriting and Talking About Photographs --$tWriting About Photographs --$tObserving the Work and Taking Notes --$tAn Interpretive Paper --$tAn Evaluative Paper --$tThe Process of Writing --$tTalking About Photographs --$tDiscussions of Art in the Presence of the Artist --$tStudio Critiques
650 0 $aPhotography, Artistic.
650 0 $aPhotographic criticism.
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/description/mh024/99026895.html
856 41 $3Table of contents$uhttp://www.loc.gov/catdir/toc/mh023/99026895.html
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