| Record ID | ia:cu31924021749951 |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/cu31924021749951/cu31924021749951_marc.xml |
| Download MARC binary | https://www.archive.org/download/cu31924021749951/cu31924021749951_meta.mrc |
LEADER: 01169cam 22003251 4500
001 2365027
005 20080528132011.0
008 930810s1913 mau 000 0 eng
010 $a 14000928
035 $a(CStRLIN)NYCX93B84954
035 $a(NIC)notisALX8364
035 $a(OCoLC)377053
035 $a2365027
040 $aDLC$cOAU$dOCoLC$dInU$d*IUG*$dCStRLIN$dNIC
050 00 $aMT75$b.M44 1970
082 00 $a781.6/3
100 1 $aMatthay, Tobias,$d1858-1945.
245 10 $aMusical interpretation, its laws and principles,$band their application in teaching and performing,$cby Tobias Matthay.
250 $a3d. edition.
260 $aBoston, Mass.,$bThe Boston Music Co. (G. Schirmer, Inc.)$c1913.
300 $axiv, 163 p.$c22 cm.
650 0 $aMusic$xInterpretation (Phrasing, dynamics, etc.)
650 0 $aPiano music$xInterpretation (Phrasing, dynamics, etc.)
903 $aKirtas$d20080528$p31924021749951
905 $a19940727120000.0
948 $aRET
950 $lMUSIC$aMT75$b.M43 1913$i08/10/93 N
955 $lMUSIC$c1$i08/10/93 C
995 $aHivolm$d20070214
998 $a08/10/93$tc$s9122$nNIC$wINIS377053B$d08/10/93$cRET$bCF $i930810$lNYCX