MARC record from Internet Archive

LEADER: 06465cam 2200793 a 4500
001 ocm44185000
003 OCoLC
005 20181217032504.0
008 010817s2000 enka b 001 0 eng
010 $a 2001273366
040 $aUKM$beng$cDLC$dUKM$dERE$dLVB$dBAKER$dNLGGC$dBTCTA$dYDXCP$dSINLB$dDEBBG$dTULIB$dMUU$dOCLCF$dOCLCO$dOCLCQ$dOCL$dOCLCO$dOCLCQ$dZ5A$dOCLCQ$dCSJ$dDHA$dOCLCQ$dBGU$dOCLCQ
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019 $a59579776$a1008465931
020 $a0761968660
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020 $a0761968679$q(pbk.)
020 $a9780761968672$q(pbk.)
020 $a1412930464
020 $a9781412930468
035 $a(OCoLC)44185000$z(OCoLC)59579776$z(OCoLC)1008465931
042 $alccopycat
050 00 $aNK1390$b.J848 2000
082 00 $a306.4/7/0904$221
082 04 $a745.2$221
084 $a21.82$2bcl
084 $aCC 6900$2rvk
084 $aMS 8000$2rvk
084 $a5,1$2ssgn
100 1 $aJulier, Guy.
245 14 $aThe culture of design /$cGuy Julier.
260 $aLondon :$bSAGE,$c2000.
300 $axi, 224 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 205-219) and index.
520 1 $a"Aimed at students of design studies, design history, cultural studies and sociology, the culture of design, offers a unique overview of design in contemporary culture and society. Drawing on a range of theoretical perspectives, Julier nevertheless foregrounds the everyday business and professional context in which designers work." "The culture of design: establishes 'design culture' as a distinct discipline; investigates the interactions of design producers and consumers; includes a series of illustrative case studies; and opens up design and design practice for critical interrogation."--Jacket.
505 00 $tIntroducing design culture --$tDesign culture as an object of study --$tBeyond Visual Culture: Design Culture as an academic discipline --$tModels for studying Design Culture --$tDesign Culture beyond discipline? --$tDesign production --$tDesign consultancy reaches 'critical mass': setting the scene with some statistics --$tThe establishment of design consultancy --$tThe 1980s design consultancy boom --$tTowards a brand ethos --$tConcurrent design --$tThe 'New Economy' --$tConclusion --$tDesigners and design discourse --$tDefinitions of design --$tThe professionalization debate --$tProfessionalization and differentiation --$tHistoricity and modernism in design discourse --$tSecond modernity versus design management --$tConclusion --$tThe consumption of design --$tThe culture of consumption --$tDesign and consumer culture --$tPassive or sovereign consumers? --$tDe-alienation and designing --$tThe aesthetic illusion --$tSystems of provision --$tCircuits of culture --$tDesigners and the circuit of culture --$tWriting about things --$tConsumption and practice --$tConclusion --$tHigh design --$tAnomalous objects --$tHigh design --$tDesign classics --$tMediating production --$tConsuming postmodern high design: Veblen and Bourdieu --$tHistoricity --$tModern designers /modern consumers --$tDesigners, risk and reflexivity --$tConclusion --$tConsumer goods --$tImages --$tSurfaces --$tDoing the Dyson --$tProduct semantics --$tMood boards --$tLifestyles and design ethnography --$tBack to the workshop --$tProduct semantics and flexible manufacture --$tDesigning global products --$tProduct designers and their clients --$tDyson stories --$tRe-doing the Dyson --$tThe i --$tPod: consumption and contingency --$tConclusion --$tBranded places --$tEvaluating place: beyond architectural criticism --$tThe Barcelona paradigm --$tCultural economies and regeneration --$tResponses to globalization (1): place-making of city-regions through design --$tResponses to globalization (2): the branding of city-regions and nations --$tProblematizing the branding of place --$tConclusion --$tBranded leisure --$tFrom 'Fordist' to disorganized leisure --$tThe Disney paradigm --$tPost-tourists --$tNaked and nowhere at Center Parcs --$tTelevisuality and designing leisure experiences --$tDedifferentiation /distinction --$tConclusion --$tOn-screen interactivity --$tComputers and graphic design --$tTechnological development and consumer growth --$tProfessional practices --$tCritical reflection --$tAuthorship --$tReadership --$tConsuming interactivity --$tCybernetic loss --$tLiberation and regulation: the bigger picture --$tBytes and brands --$tConclusion --$tCommunications, management and participation --$tInternal brand building --$tThe end of advertising --$tBrand and communications consultancy --$tEmployees as consumers --$tAesthetic labour --$tDesigning for creativity --$tDesign and social participation --$tConclusion.
650 0 $aDesign$xHistory$y20th century.
650 0 $aDesign$xSocial aspects.
650 0 $aIndustrial design$xSocial aspects.
650 0 $aCommunication in design.
650 6 $aDesign$xHistoire$y20e sie cle.
650 6 $aDesign$xAspect social.
650 6 $aCommunication en design.
650 7 $aCommunication in design.$2fast$0(OCoLC)fst00870127
650 7 $aDesign.$2fast$0(OCoLC)fst00891253
650 7 $aDesign$xSocial aspects.$2fast$0(OCoLC)fst00891292
650 7 $aIndustrial design$xSocial aspects.$2fast$0(OCoLC)fst01730202
650 17 $aVormgeving.$2gtt
650 17 $aCulturele aspecten.$2gtt
650 07 $aDesign.$2swd
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aJulier, Guy.$tCulture of design.$dLondon : SAGE, 2000$w(OCoLC)606481552
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/enhancements/fy0657/2001273366-t.html
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy0657/2001273366-d.html
938 $aBaker & Taylor$bBKTY$c135.00$d135.00$i0761968660$n0003579151$sactive
938 $aBaker & Taylor$bBKTY$c45.95$d45.95$i0761968679$n0003579150$sactive
938 $aBaker and Taylor$bBTCP$nBK0013634153
938 $aYBP Library Services$bYANK$n100204989
029 1 $aAU@$b000021565346
029 1 $aAU@$b000058489869
029 1 $aDEBBG$bBV013624650
029 1 $aHR0$b0761968660
029 1 $aNZ1$b5702440
029 1 $aUNITY$b084816015
994 $aZ0$bP4A
948 $hHELD BY P4A - 226 OTHER HOLDINGS