Record ID | ia:curationismhowcu0000balz |
Source | Internet Archive |
Download MARC XML | https://archive.org/download/curationismhowcu0000balz/curationismhowcu0000balz_marc.xml |
Download MARC binary | https://www.archive.org/download/curationismhowcu0000balz/curationismhowcu0000balz_meta.mrc |
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005 20151005123733.0
008 140717s2014 onc 000 0 eng d
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100 1 $aBalzer, David.
245 10 $aCurationism :$bhow curating took over the art world and everything else /$cDavid Balzer.
250 $aFirst edition.
264 1 $aToronto :$bCoach House Books,$c[2014]
300 $a141 pages ;$c19 cm.
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490 1 $aExploded views series
520 8 $aNow that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation - where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become 'curating.' Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise?
650 0 $aCuratorship$xHistory.
650 0 $aArt$xHistory.
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