MARC record from Internet Archive

LEADER: 05688cam 2200697 i 4500
001 ocn861671299
003 OCoLC
005 20220302195532.0
008 140425s2014 msu bq s001 0deng
010 $a 2014008216
040 $aDLC$beng$erda$cDLC$dYDX$dYDXCP$dBTCTA$dBDX$dOCLCF$dIBZ$dSTF$dCOO$dZCU$dPMC$dCHVBK$dORU$dKMM$dOCLCQ$dS3O$dGILDS$dOCLCO$dOCLCQ$dOCLCA$dOCLCQ$dOCLCO$dOCLCA$dUKUAL$dOCLCQ$dOCLCO
019 $a1225817506
020 $a9781628460360$q(hardback)
020 $a1628460369$q(hardback)
020 $z9781628460377$q(ebook)
020 $a9781496802682
020 $a1496802683
035 $a(OCoLC)861671299$z(OCoLC)1225817506
042 $apcc
043 $an-us---
050 00 $aPN1998.3.F54$bA3 2014
082 00 $a791.4302/33092$223
084 $aPER018000$aBIO005000$2bisacsh
100 1 $aFincher, David,$einterviewee.
245 10 $aDavid Fincher :$binterviews /$cedited by Laurence F. Knapp.
246 30 $aInterviews
264 1 $aJackson :$bUniversity Press of Mississippi,$c[2014]
300 $axxxiii, 233 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aConversations with filmmakers series
520 $a"David Fincher (b. 1962) did not go to film school and hates being defined as an auteur. He prefers to see himself as a craftsman, dutifully going about the art and business of making film. Trouble is, it's hard to be self-effacing when you are the director responsible for Se7en, Fight Club, and The Social Network. Along with Quentin Tarantino, Fincher is the most accomplished of the Generation X filmmakers to emerge in the early 1990s. This collection of interviews highlights Fincher's unwavering commitment to his craft as he evolved from an entrepreneurial music video director (Fincher helped Madonna become the undisputed queen of MTV) into an enterprising feature filmmaker. Fincher landed his first Hollywood blockbuster at twenty-seven with Alien3, but that film, handicapped by cost overruns and corporate mismanagement, taught Fincher that he needed absolute control over his work. Once he had it, with Se7en, he achieved instant box-office success and critical acclaim, as well as a close partnership with Brad Pitt that led to the cult favorite Fight Club. Fincher became circumspect in the 2000s after Panic Room, shooting ads and biding his time until Zodiac, when he returned to his mantra that "entertainment has to come hand in hand with a little bit of medicine. Some people go to the movies to be reminded that everything's okay. I don't make those kinds of movies. That, to me, is a lie. Everything's not okay." Zodiac reinvigorated Fincher, inspiring a string of films--The Curious Case of Benjamin Button, The Social Network, and The Girl with the Dragon Tattoo--that enthralled audiences and garnered his films dozens of Oscar nominations"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 215-222) and index.
504 $aIncludes filmography.
505 0 $aMother from another planet / John H. Richardson -- Mr. Fincher's neighborhood / James Kaminsky -- Seventh Hell / Mark Salisbury -- David Fincher interview / Iain Blair -- Precocious prankster who gets a thrill from tripping people up / Ryan Gilbey -- The head master / Jenny Cooney -- Inside out / Gavin Smith -- Twenty-first-century boys / Amy Taubin -- Fight the good fight / Andrew Pulver -- Four walls and a funeral / Ryan Gilbey -- Inside Panic room : David Fincher, the roundtable interview / Daniel Robert Epstein -- David Fincher interview / Stephan Littger -- Forget the first two rules of Fight Club / Nev Pierce -- David Fincher of Zodiac / Shawn Levy -- The devil is in the detail / Nev Pierce -- A curious case of friendship / Scott Bowles -- In conversation with David Fincher / Nev Pierce -- David Fincher British Film Institute interview / Mark Salisbury -- Social network : interview with director David Fincher / Emanuel Levy -- The vulture transcript : an in-depth chat with David Fincher about The social network / Mark Harris -- Chasing the dragon / Nev Pierce -- Heart of darkness / Brian Raftery -- You better be f--ing serious : David Fincher on directing / Fincher Fanatic.
600 10 $aFincher, David$vInterviews.
650 0 $aMotion picture producers and directors$zUnited States$vInterviews.
650 7 $aPERFORMING ARTS$xIndividual Director (see also BIOGRAPHY & AUTOBIOGRAPHY$xEntertainment & Performing Arts)$2bisacsh
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xEntertainment & Performing Arts.$2bisacsh
600 17 $aFincher, David.$2fast$0(OCoLC)fst00312312
650 7 $aMotion picture producers and directors.$2fast$0(OCoLC)fst01027225
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
600 17 $aFincher, David$d1962-$2gnd
630 07 $aBibel$pPhilemonbrief$2gnd
650 7 $aRegissörer, intervjuer.$2sfit
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
655 7 $aInterviews.$2lcgft
700 1 $aKnapp, Laurence F.,$d1965-$eeditor.
776 08 $iOnline version:$aFincher, David.$tDavid Fincher.$dJackson : University Press of Mississippi, 2014$z9781628460377$w(DLC) 2014016997
830 0 $aConversations with filmmakers series.
938 $aBrodart$bBROD$n108067203
938 $aBaker and Taylor$bBTCP$nBK0013954768
938 $aYBP Library Services$bYANK$n11304637
938 $aYBP Library Services$bYANK$n12088422
029 1 $aAU@$b000052793237
029 1 $aCHBIS$b010164248
029 1 $aCHVBK$b324309376
029 1 $aNZ1$b15895448
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 134 OTHER HOLDINGS