MARC record from Internet Archive

LEADER: 04554cam a2200733 i 4500
001 ocn814301899
003 OCoLC
005 20191109071229.5
008 121010s2013 nyu b 001 0 eng
010 $a 2012041382
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019 $a809977811$a875733636$a884741019$a886409610$a892585755$a907099506$a908400657$a918882555$a939218465
020 $a9781780931609$q(hardcover ;$qalk. paper)
020 $a1780931603$q(hardcover ;$qalk. paper)
020 $a9781623560010$q(pbk. ;$qalk. paper)
020 $a1623560012$q(pbk. ;$qalk. paper)
020 $a9781780931272
020 $a1780931271
024 8 $a40022473651
029 1 $aAU@$b000051621789
029 1 $aAU@$b000052493060
029 1 $aCHBIS$b007580788
029 1 $aCHDSB$b006183394
029 1 $aCHNEW$b000570933
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029 1 $aCHVBK$b162110944
029 1 $aCHVBK$b319155579
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035 $a(OCoLC)814301899$z(OCoLC)809977811$z(OCoLC)875733636$z(OCoLC)884741019$z(OCoLC)886409610$z(OCoLC)892585755$z(OCoLC)907099506$z(OCoLC)908400657$z(OCoLC)918882555$z(OCoLC)939218465
042 $apcc
050 00 $aML3790$b.R63 2013
082 00 $a384$223
084 $a83.80$2bcl
049 $aMAIN
100 1 $aRogers, Jim,$d1969-
245 14 $aThe death and life of the music industry in the digital age /$cby Jim Rogers.
264 1 $aNew York :$bBloomsbury Academic,$c2013.
300 $a236 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 213-225) and index.
505 0 $aDigital deliria and transformative hype -- Death by digital? -- Response strategies of the music industry -- Developments beyond the digital realm -- New rules for the new music economy? [Part One] -- New rules for the new music economy? [Part Two] -- Evolution, not revolution?
520 $aThe Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.
590 $bInternet Archive - 2
590 $bInternet Archive 2
650 0 $aSound recording industry$xSocial aspects.
650 0 $aMusic and technology.
650 7 $aMusic and technology.$2fast$0(OCoLC)fst01030490
650 7 $aSound recording industry$xSocial aspects.$2fast$0(OCoLC)fst01127029
650 7 $aMusikwirtschaft$2gnd
650 7 $aDigital Rights Management$2gnd
856 41 $3Dawsonera$uhttp://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781780931265
856 41 $3Ebook Library$uhttp://public.eblib.com/choice/publicfullrecord.aspx?p=1172536&
856 42 $uhttp://lib.leeds.ac.uk/search/febook3273239$zThis title is also available as an eBook. Click here.
856 41 $uhttp://londonmet.eblib.com/patron/FullRecord.aspx?p=1172536&$zE-book - Full text from EBL
938 $aBaker and Taylor$bBTCP$nBK0012712152
938 $aCoutts Information Services$bCOUT$n22970564
938 $aYBP Library Services$bYANK$n9986271
994 $a92$bERR
976 $a31927002096425