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LEADER: 05175cam 2200889 a 4500
001 ocm28676823
003 OCoLC
005 20220221084647.0
008 930804s1994 nyu b 001 0 eng
010 $a 93030472
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020 $a0312106297
020 $a9780312106294
020 $a033346236X$q(hardcover)
020 $a9780333462362$q(hardcover)
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035 $a(OCoLC)28676823
043 $ae-uk-en$ae-uk---
050 00 $aPR2494$b.M35 1994
082 00 $a822/.3$220
084 $a24.11$2bcl
084 $a18.05$2bcl
100 1 $aMcLuskie, Kathleen.
245 10 $aDekker and Heywood :$bprofessional dramatists /$cKathleen E. McLuskie.
260 $aNew York :$bSt. Martin's Press,$c1993.
300 $avii, 200 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aEnglish dramatists
500 $aPublished in Great Britain by Macmillan, 1994.
500 $aSpine title: Dekker & Heywood.
504 $aIncludes bibliographical references (pages 193-197) and index.
505 0 $a1. Fireworks All Over the House -- 2. Politics and Performance -- 3. Prentices, Citizens and the London Audience -- 4. Women and Dramatic Form -- 5. The Challenge to the Popular Stage -- 6. The Cross-dressed Heroine -- 7. The Final Years -- 8. Conclusions.
520 $aEach generation needs to be introduced to the culture of the past and to reinterpret it in its own ways. This series re-examines the important English dramatists of earlier centuries in the light of new information, new interests and new attitudes. The books are written for students, theatre-goers and general readers who want an up-to-date view of the plays and dramatists, with an emphasis on drama as theatre, in the context of their stage, social and political history.
520 8 $aThe emphasis is on plays in performance, with attention given to what is known about acting styles, changing interpretations, the stages and theatres of the time and theatre economics. The books will be relevant to all those studying literature, theatre and cultural history.
520 8 $aKathleen McLuskie uses the work of both Dekker and Heywood to investigate the relationship between the plays and the cultural moment into which they are produced. As professional playwrights, Dekker and Heywood wrote for most of the Renaissance London theatre venues, from the huge and raucous 'Red Bull' to the club-like intimacy of the playhouse at St Paul's.
520 8 $aThey debated and constructed the categories of popular theatre and engaged over a long period with the changing politics of culture, religion and state. Their work, and this book, provide an important insight into the working context of Shakespeare and two of his most important contemporaries.
600 10 $aDekker, Thomas,$dapproximately 1572-1632$xCriticism and interpretation.
600 10 $aHeywood, Thomas,$dapproximately 1574-1641$xCriticism and interpretation.
600 17 $aDekker, Thomas,$dapproximately 1572-1632$2fast$0(OCoLC)fst01800784
600 17 $aHeywood, Thomas,$dapproximately 1574-1641$2fast$0(OCoLC)fst01801004
650 0 $aEnglish drama$y17th century$xHistory and criticism.
650 0 $aPopular culture$zEngland$zLondon$xHistory$y17th century.
650 0 $aTheater$zEngland$zLondon$xHistory$y17th century.
650 7 $aEnglish drama.$2fast$0(OCoLC)fst00910737
650 7 $aPopular culture.$2fast$0(OCoLC)fst01071344
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aEngland$zLondon.$2fast$0(OCoLC)fst01204271
648 7 $a1600 - 1699$2fast
653 0 $aDekker,$aca.$aCriticism$aand$ainterpretation
653 0 $aEnglish$a17th$aHistory$aand$acriticism
653 0 $aHeywood,$ad.$aCriticism$aand$ainterpretation
653 0 $aLiterature
653 0 $aPopular$aEngland$aLondon$aHistory$a17th$acentury
653 0 $aTheater$aEngland$aLondon$aHistory$a17th$acentury
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
740 0 $aDekker & Heywood.
830 0 $aEnglish dramatists (St. Martin's Press)
856 41 $3Table of contents$uhttp://www.gbv.de/dms/bowker/toc/9780312106294.pdf
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938 $aYBP Library Services$bYANK$n297231
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948 $hNO HOLDINGS IN P4A - 194 OTHER HOLDINGS