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LEADER: 04861cam 2201021 a 4500
001 ocm51203886
003 OCoLC
005 20200105211026.0
008 021205s2003 nyu b 001 0 eng
010 $a 2002155188
040 $aDLC$beng$cDLC$dOHX$dOCL$dBAKER$dNLGGC$dBTCTA$dLVB$dYDXCP$dUQ1$dCPE$dZEM$dDEBBG$dOCLCQ$dCWI$dOCLCQ$dOCLCO$dOCLCQ$dOCLCO$dOCLCF$dUKMGB$dUKUOY$dOCLCQ$dOCLCA
016 7 $a968078060$2DE-101
016 7 $a006627866$2Uk
020 $a0820463566$q(alk. paper)
020 $a9780820463568$q(alk. paper)
035 $a(OCoLC)51203886
043 $an-us---
050 00 $aPS352$b.A535 2003
072 7 $aPS$2lcco
082 00 $a812/.509142$221
084 $a24.11$2bcl
084 $aHU 1778$2rvk
084 $aHU 1770$2rvk
100 1 $aAndreach, Robert J.
245 10 $aDrawing upon the past :$bclassical theatre in the contemporary American theatre /$cRobert J. Andreach.
260 $aNew York :$bP. Lang,$c℗♭2003.
300 $a236 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aArtists and issues in the theatre,$x1051-9718 ;$vv. 15
504 $aIncludes bibliographical references and index.
505 0 $aA.R. Gurney, Tina Howe, and Edward Albee -- Charles Ludlam and Harry Kondoleon -- Richard Foreman -- A.R. Gurney, P.J. Gibson, and Adrienne Kennedy -- David Rabe, Charles Mee, and Ellen McLaughlin -- John Guare -- Eric Overmyer, David Greenspan, and Richard Foreman.
520 1 $a"Contemporary American theatre re-creates and invokes classical theatre so as to generate interaction between the two theatres. Using selected works of fourteen playwrights, this book organizes the interaction into three sections: works dramatizing change and reconciliation, works dramatizing the inability or the unwillingness to change and reconcile, and works emphasizing various selves (personal, theatrical, national). By drawing on the past, the fourteen playwrights refine their art in the contemporary American theatre and their vision of contemporary American life."--Jacket.
650 0 $aAmerican drama$y20th century$xHistory and criticism.
650 0 $aClassical drama$xAdaptations$xHistory and criticism.
650 0 $aClassical drama$xAppreciation$zUnited States.
650 0 $aAmerican drama$xClassical influences.
650 0 $aMythology, Classical, in literature.
650 0 $aClassicism$zUnited States.
650 6 $aThe a tre ame ricain$y20e sie cle$xHistoire et critique.
650 6 $aThe a tre ancien$xAdaptations$xHistoire et critique.
650 6 $aThe a tre ancien$xAppre ciation$zE tats-Unis.
650 6 $aThe a tre ame ricain$xInfluence ancienne.
650 6 $aMythologie ancienne dans la litte rature.
650 6 $aClassicisme$zE tats-Unis.
650 17 $aToneelstukken.$2gtt
650 17 $aKlassieke oudheid.$2gtt
650 17 $aMotieven (kunst)$2gtt
650 7 $aDrama$2gnd
650 7 $aGriechisch$2gnd
650 7 $aRezeption$2gnd
651 7 $aUSA$2gnd
650 7 $aThe a tre ame ricain (Litte rature)$2rasuqam
650 7 $aThe a tre ame ricain (Spectacle)$2rasuqam
650 7 $aThe a tre classique.$2rasuqam
650 7 $aAdaptation dramatique.$2rasuqam
650 7 $aInfluence classique.$2rasuqam
650 7 $aMythologie ancienne.$2rasuqam
650 7 $aThe me litte raire.$2rasuqam
650 07 $aDrama.$2swd
651 7 $aGriechisch.$2swd
651 7 $aUSA.$2swd
650 7 $aAmerican drama.$2fast$0(OCoLC)fst00806998
650 7 $aClassical drama$xAppreciation.$2fast$0(OCoLC)fst00863470
650 7 $aClassicism.$2fast$0(OCoLC)fst00863557
650 7 $aMythology, Classical, in literature.$2fast$0(OCoLC)fst01031770
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $aGeschichte 1980-2000.$2swd
648 4 $aGeschichte 1980-2000.
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iOnline version:$aAndreach, Robert J.$tDrawing upon the past.$dNew York : P. Lang, ℗♭2003$w(OCoLC)607012906
830 0 $aArtists and issues in the theatre ;$vv. 15.$x1051-9718
856 41 $3Table of contents$uhttp://catdir.loc.gov/catdir/toc/fy037/2002155188.html
938 $aBaker & Taylor$bBKTY$c64.95$d64.95$i0820463566$n0004131937$sactive
938 $aBaker and Taylor$bBTCP$n2002155188
938 $aOtto Harrassowitz$bHARR$nhar030061399$c69.60 EUR
938 $aYBP Library Services$bYANK$n1974398
029 1 $aAU@$b000024288665
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029 1 $aDEBBG$bBV017323812
029 1 $aGEBAY$b7034351
029 1 $aNLGGC$b24795571X
029 1 $aNZ1$b7367734
029 1 $aUKMGB$b006627866
994 $aZ0$bP4A
948 $hNO HOLDINGS IN P4A - 192 OTHER HOLDINGS