| Record ID | ia:engagingcharacte0000smit |
| Source | Internet Archive |
| Download MARC XML | https://archive.org/download/engagingcharacte0000smit/engagingcharacte0000smit_marc.xml |
| Download MARC binary | https://www.archive.org/download/engagingcharacte0000smit/engagingcharacte0000smit_meta.mrc |
LEADER: 01598cam a2200409 a 4500
001 32510588
003 OCoLC
005 20151005020331.0
008 941129s1995 enka b 001 0 eng
010 $a94045551
020 $a0198182406 (acid₋free paper)
020 $a019818347X (pbk) :$c$22.00
035 $a32510588
035 $aDBSRVR::LCMARC/ATJ-2058/DAVIDMACF
040 $aDLC$cDLC$dDLC$dOCoLC$dUtOrBLW
050 00 $aPN1995$b.S536 1995
082 00 $a791.43/01$220
092 $a791.4301$bSm62e
100 1 $aSmith, Murray$q(Murray Stuart),$d1962-
245 10 $aEngaging characters :$bfiction, emotion, and the cinema /$cMurray Smith.
260 $aOxford :$bClarendon Press ;$aNew York :$bOxford University Press,$c1995.
300 $aviii, 265 p. :$bill. ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (p. [243]-254) and index.
650 0 $aMotion pictures$xPsychological aspects.
650 0 $aIdentification (Psychology)
650 0 $aMotion picture audiences.
907 $a.b15791853$b11-21-18$c07-20-03
998 $axam$b07-01-03$cm$da $e-$feng$genk$h0$i1
957 00 $aOCLC reclamation of 2017-18
907 $a.b15791853$b12-02-14$c07-20-03
956 $aNo pre-reclamation 001 field existed
999 $yMARS
998 $axam$b07-01-03$cm$da$e-$feng$genk$h0$i1
945 $a791.4301 Sm62e$d - - $e08-05-2018 13:14$f0$g0$h08-13-18$i31223044483924$j503$0503$k - - $lxamci$o-$p$0.00$q-$r-$s- $t1$u24$v17$w1$x0$y.i26761853$z08-06-03